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The Great American Baking Show - (Nov 26th)
Taskmaster - (Nov 26th)
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The Traitors Canada - (Nov 26th)
Luxury Escapes- The Worlds Best Holidays - (Nov 26th)
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The Rap Game UK - (Nov 26th)
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Rhod Gilberts Growing Pains - (Nov 26th)
Britain’s Most Evil Killers - (Nov 26th)
Hoarders - (Nov 26th)
Tipping Point Australia - (Nov 26th)
Letters and Numbers - (Nov 26th)
Rip Off Britain - (Nov 26th)
Love Island Australia - (Nov 26th)
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Ruby Wax- Cast Away - (Oct 1st)
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This Queen plans to stay young. The Wasp Woman is directed by Jack Hill and Roger Corman and written by Leo Gordon and Kinta Zertuche. A Roger Corman production, it stars Susan Cabot, Anthony Eisley, Michael Mark and Barboura Morris. Music is by Fred Katz and photography by Harry Neumann. Janice Starlin (Cabot) is the owner of a large cosmetics company, once a successful operation, the company is starting to lose customers who can see that Starlin is beginning to show her aged years. But hope may be at hand form scientist Eric Zinthrop (Mark), who has been experimenting with the royal jelly from a queen wasp, creating a serum that reverses the aging process. She strikes a deal with Zinthrop to fund his research as long as she can be his first human subject... Schlockmeister Corman obviously took notice of the success of Kurt Neumann's The Fly from the previous year, for here he tries to bring us the female variant on the sci-fi mix up movie for half the budget. It marks the last time that Susan Cabot would appear in film, this also being the last of six films she made with Corman. For a low budget schlocker it's not half bad, the berserker insect/human science is good fun and there's potent thematics within involving the search for eternal youth, drug addiction and the cautionary warning about man pushing science too far. Even the effects, whilst cheap and rightly kept in the shadows for the most part, have an antiquated charm about them. If only the film wasn't so static, so ordinary, for two thirds of its relatively short running time, then this would be talked about as one of Corman's better offerings, especially since the cast are actually fine, particularly the pretty and stoic Cabot. Most of the film is played out from the offices of a high-rise office complex, this is unusual but gives the film a little uniqueness, with Neumann and his directors managing to set the ambiance at uneasy. But it's mostly talky stuff, meaning mood is built up to the point that when the picture does shift into creature feature gear-budget restrictions mean expectations can't possibly be met; even if what little horror is in the picture is actually pretty spicy: though the makers do miss a trick because it's explained to us early in the piece that the Queen Wasp eats her mate! But Janice has no love interest here, shame that! Fred Katz's music is deliciously mad, at times sounding like Wacky Races on LSD, at others some gentle jazz beat fusion, it's in the right movie, just not used at the right times! The accompanying buzzing sound affect for a Wasp Woman attack, though, is most agreeable. Corman would use the score again for Little Shop of Horrors the following year. Nobody, you would like to think, would be viewing The Wasp Woman expecting a sci-fi classic, but it's a frustrating watch in many ways, even to the fans of cheapo B movie schlockers. 5/10
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to stop them.
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.
A rogue scientist near a small desert town arouses the suspicion of the town's doctor when his lab assistant is found dead from a case of acromegaly, which took only four days to develop. As the doctor investigates, aided by the scientist's new female assistant, they discover that something is devouring local cattle and humans in increasingly large quantities.
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
When a hunter sent back to the prehistoric era runs off the path he must not leave, he causes a chain reaction that alters history in disastrous ways.
Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.
After being cryogenically frozen for more than 30 years, a woman wakes to find her husband an old man and her children older than she is. Her daughter has also developed a psychotic obsession with her and may be out to kill her.