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House Hunters Australia - (May 17th)
Horrible Histories - (May 17th)
Doctor Who- Unleashed - (May 17th)
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Deadline- White House - (May 17th)
Gardeners World - (May 17th)
The Price Is Right - (May 17th)
Grosse Pointe Garden Society - (May 17th)
Gold Rush- White Water - (May 17th)
The Bold and the Beautiful - (May 16th)
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Open House- The Great Sex Experiment - (May 16th)
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I never get tired of the idea that someone would think of Groucho Marx is the perfect man to lead a nation into war. Or that Harpo and Chico would be good spies. Or that Zeppo would be interested in another film after this one.
The Marx Bros are to Blockbuster as Monty Python are to Netflix and I mean that in the best way possible
**I would love to send a copy of the film to Vladimir Putin. Would he understand the gesture?** Who would have thought that this film is almost a hundred years old? I just saw it, and it is fresher and lusher than many vegetables in the supermarket! Many people no longer know who the Marx Brothers are, but a hundred years ago, at a time when there were no internet memes (or the internet), they were the kings of comedy, and it's always worth seeing what they did. They passed away a long time ago, but they left us a polite, intelligent, sharp, accessible humor that the whole family can see. The film was released in 1933, at a time dominated by the imminent threats of war. It reminds us of our own time, doesn't it? One hundred years later, we continue to make the same mistakes and show God that we have learned nothing from them. The film makes fun of this by giving us a portrait of a bankrupt country led by an incompetent man, very vain, arrogant and surrounded by sycophants who treat him as a savior of the nation. It could be Mussolini, or Hitler... and the explicit criticism of European dictators could not be sharper today, if we think about some tyrants of our time. The film is dominated by the four Marxes: Zeppo, in his last appearance as a member of the group, has a much more solid character than usual and as a result we never feel that he is too much in the film. Chico also does very well. Harpo does what he's used us to, managing to be funny without saying a word and putting all his tricks as a mime and vaudeville clown to good use. Groucho, as usual, intelligently leads the group. The king of ready answers couldn't have a quicker wit or a sharper tongue. In addition, we have Margaret Dumont in a skillful and healthy collaboration with them. Good sets and very well-imagined costumes help us compose Freedonia, a republic on the verge of collapse, bankruptcy and a foreign invasion. There is an unbelievable dose of anthological scenes in this film, from the motorcycle joke with the sidecar to the joke with the mirror. The black-and-white cinematography is sharp, well-shot, and the film doesn't look as old as it actually is. The soundtrack adds the finishing touch.
An aging Latin lover gets dumped by his sugar mama and must fend for himself in a harsh world.
In "Porch Pirates," three detectives—Jack Tyler, Marcos Fernandez, and Sally Jones—tackle the challenge of catching a group of holiday thieves. As they strive to safeguard the festive season, they also manage personal struggles. Jack balances his demanding job with his vibrant family life, while widower Marcos grapples with his grief during the holidays. The plot thickens with a high-stakes mission to retrieve a valuable Beanie Baby stolen from the Mayor's porch, threatening the town's Christmas spirit. This thrilling chase is laden with humor, surprising turns, and a sprinkle of holiday magic, reminding us that Christmas joy comes from unity, laughter, and sometimes, chasing the perfect, unconventional gift.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
A snobbish investor and a wily street con-artist find their positions reversed as part of a bet by two callous millionaires.
An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest.
Ripley is now an ordained minister and owner of the Chapel of Love. He's on a search for the prize that will bring him untold riches - the Jules Rimet trophy. But when glamorous Kitty De-Luxe is jilted at his altar, Ripley falls hopelessly in love.
Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.