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Throw you in a pigpen, and you'd come out vice-president of the hogs. The Scalphunters is directed by Sydney Pollack and adapted to screenplay by William W. Norton from the novel of the same name written by Ed Friend. It stars Burt Lancaster, Ossie Davis, Telly Savalas and Shelley Winters. A Panavision/De Luxe Colour production, music is by Elmer Bernstein and cinematography by Richard Moore and Duke Callaghan. Joe Bass (Lancaster) is a fur trapper making his way home with his latest haul when he is stopped by Kiowa Indians. Taking his furs they give him as payment a well educated slave, Joseph Lee (Davis), who they had previously commandeered from a group of Comanches. With Joseph tagging along, Joe sets about pursuing the Kiowa to reclaim his furs, but the Indians fall victim to a band of ruthless Scalphunters led by Jim Howie (Savalas), who gain his furs whilst also by accident capture Joseph. It's Joe Bass against the rest, and only Joseph knows what the Scalphunters are up against. "Those furs and that man out there are the Scorpio satanic configuration of death for Jim Howie" Impressively mounted by Pollack, gorgeously shot at Durango, Mexico, The Scalphunters is an interesting blend of a Western action comedy with drama and Civil Rights morality. Film is structured simply by thrusting Lancaster's ignorant and illiterate man of the wilderness together with Davis' literate but ostracised slave. Both men poles apart, but both able to benefit the other if racial barriers can be broke down? Once Joseph falls into the hands of the Scalphunters, film sees Joseph once more held captive, but by using his nous he may be able to finally gain his freedom should the group make it to Mexico. All the time Joe Bass is tracking the group, picking them off any chance he gets, this means the banter and lively group dynamic of the Scalphunters is pleasantly interrupted by an action scene of some standing. Be it Joe Bass leaping about the rocks and causing a rock avalanche, or the Scalphunters horses going loco, film never lacks for genuine thrills. Some great stunt work in here as well. It's a fine screenplay of much intelligence, not least because it doesn't crowbar in its messages, while it also doesn't patronise the Joseph Lee character. Even as the laughs flit in and out of proceedings, the script pings with smarts as brains are afforded the black man and the ignorance belongs to whitey. With the cast on fine form and Bernstein scoring it with trademark robustness, it rounds out as a hugely enjoyable Western. So pick a favourite scene and a favourite character, whilst all the time acknowledging that behind the froth and machismo beats a potent thematic heart. 8/10
***Amusing late 60s Western with Lancaster, Ossie Davis and Savalas*** A rugged trapper (Burt Lancaster) is forced by a band of Kiowas to trade his valuable furs for an educated runaway slave (Ossie Davis). To get the furs back, they follow the Indians and, then, a band of scalphunters, led by a boisterous bald guy (Telly Savalas). Shelley Winters is also on hand. What’s notable about “The Scalphunters” (1968), besides the cast, is that the entire story takes place in the Southwest wilderness. There are no towns, buildings or teepees in sight. But there’s some gorgeous location photography. While there are entertaining comedic bits, don’t expect anything outrageous like “Blazing Saddles” (1974). This is more in the mode of contemporaneous Westerns like “Bandoleros” (1968), “The War Wagon” (1967) and “The Undefeated” (1969). It’s not as great as the first or as good as the second, but it’s about on par with the latter. The film runs 1 hour and 42 minutes and was shot in Arizona (Quartzsite, Parker & Harquahala Mountains) and Mexico (Barranca del Cobre, Chihuahua, Durango & Sierra de Organos). GRADE: B-
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.
In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.
The construction of the Great Western Railroad creates heavy conflict between the railway company and neighboring Indian tribes. Worse, criminal gang leader Santer sets his eyes on a gold mine located on holy Indian land and influences the construction supervisor to re-rout the planned railroad straight through Apache land. Old Shatterhand, who works as a measurement technician, discovers the evil plan and searches contact with the Apaches in an effort to avert war.
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.
Roar follows a family who are attacked by various African animals at the secluded home of their keeper.
A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.
A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
