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***Looks great, sounds good, but a load of dull, pretentious, perverse dreck*** The writer of Frankenstein (Natasha Richardson), her beau (Julian Sands) and half-sister (Myriam Cyr) visit the mad, bad recluse Lord Byron (Gabriel Byrne) at his lavish estate on Lake Geneva in Switzerland. There they meet Byron’s equally bizarre physician friend (Timothy Spall) and spend the stormy night of June 16, 1816, in hallucinatory revelry, including a challenge to write a spooky story, which gave birth to Mary Shelley’s “Frankenstein” and John William Polidori’s “The Vampyre,” the first published modern vampire story. The premise of “Gothic” (1986) is great, the first act is interesting and the short epilogue is effective. Unfortunately, the hour in between is meandering, hedonistic, perverse, outrageously overdone and utterly tedious. I can handle the unsavory elements (and expected them) as long as the story is compelling, but that’s not the case. It’s basically a string of coked-up theatrics and perversions in an attractively gothic setting. Speaking of attractive, one of the few consolations is the jaw-dropping Natasha Richardson in her prime. She was Liam Neeson’s wife from 1994 until her death in 2009 from a skiing accident. If you want to see a gothic flick set in the 1800s that’s actually decent, check out “Bram Stoker’s Dracula” (1992). For a movie that treads similar terrain that’s really good and in some ways great see “Marie Antoinette” (2006). “Gothic” is trash by comparison and fittingly bombed at the box office. Sometimes director Ken Russell’s unique projects work, like “Altered States” (1980), but not this. The film runs 1 hour, 27 minutes, and was shot at Gaddesden Place & Wrotham Park in Herfordshire, England. Thomas Dolby wrote the score, his first and last. GRADE: C-/D+
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.
A series of urban legends take place around the life of a troubled man who is searching New York City for a mysterious stranger.
It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.
In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.
Lara, the host of a radio call-in show dealing in psychic phenomena, discovers that her estranged lover has been found dead in a small Spanish village.
A cute, openly gay latin boy's hormones go into overdrive when his hunky cousin Angel arrives for an extended stay. The two explore the young and sometimes dangerous gay scene in the city's Latin neighborhood, with surprising outcomes.
A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price?
A new drug promises out-of-body experiences, but users are coming back changed forever, and an otherworldly invasion of Earth is underway.
Rufus, Darwin, and Coopersmith are three nerdy, but hunky young college students who score themselves a dream summer job working at a swanky mansion owned by wealthy and sexy middle-aged babes Clara, Victoria, and Edwina. However, the gals turn out to be a coven of deadly witches who transform into flesh-eating cougars who need fresh young man meat in order to live forever.