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"A lonely existence tormented by distant voices is examined in Olivier Assayas’ Personal Shopper, a moody, occasionally frustrating, often brilliant study in isolation, grief and disenfranchisement..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/15/personal-shopper.html
**Texting, shopping and Ghosting!** This film was different. My bad, I did not quite get the title at first. I misunderstood it. I thought it was like a Shopaholic theme, a person with a shopping addiction. Then what I saw was different, and somewhere in the narration it explains what the title meant. The real challenge watching it is the slow moving storyline. Dull and silent on most of the parts. But the mix of fantasy, like supernatural and regular drama brings interesting fact us to stay with it. Though the most of the film was about texting and shopping. I even thought does it any way connected to Stewart's previous film 'Clouds of Sils Maria'. Because there's something where both the films syncs with. Despite being a bit boring film, Kristen Stewart is the reason it is watchable. Her performance was good, but again the mystery about the unexplainable things holds us as well. Definitely a watchable film, but not an entertaining film that you are looking for on a weekend. I'm not sure who is the target audience, but surely less people will think it is a fine film. So I hope you choose it carefully. _4/10_
Well ... How's within that, that the soul ... continues to exist ... after death? Personal Shopper is written and directed by Olivier Assayas. It stars Kristen Stewart, Lars Eidinger, Sigrid Bouaziz, Anders Danielsen Lie, Ty Olwin and Hammou Graïa. Cinematography is by Yorick Le Saux. A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person starts to contact her via text messages. Personal Shopper is a film that's impossible to recommend with any confidence, even if I personally liked it well enough. It was booed on first showing at Cannes, yet upon the second main screen viewing of it, it got a five minute standing ovation. If you look at the reviews on sites such as IMDb you will see plenty of 1/10 reviews mixed with high scoring ones, evidence of the divisive nature of Assayas' picture. A lot of people went into it expecting a "Paranormal Activity" type of film, but it's far from that. It's a meditation on grief and the complexities of the mind and the human condition under duress. Stewart gives her all for the director, a real bravura performance. Yes, the ending is either going to make or break your faith in what you have just witnessed, but if you buy into, and think about the narrative's trajectory, this has haunting and ethereal rewards. 7/10
Madeleine, rendered mute after being sexually assaulted as a youth, accepts a lift from a wealthy and sadistic pimp who soon enslaves her into his prostitution racket. Despite her limited means, Madeleine embarks on a bloody road to revenge against her captors.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.
The movie deals with the trials and tribulations of multiple disconnected characters trying to find meaning in the spiritual and super natural experiences they have. The intertwining story threads include a baker (Kunchako) going to meet his pregnant wife (Bhama), a moneylender (Manoj K Jayan) with an imaginary friend (Saiju Kurup), an atheist policeman (Kalabhavan Mani) who is unfaithful to his wife, an old man (Janardhanan) whose daughter (Anju Aravind) gets into a road accident, a photographer (Joy Mathew) and a college girl (Sarayu) trying to prank her room mates.
From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.
A young woman attempts to cure her phobia of the boogeyman by checking herself into a mental health facility, only to realize too late that she is now helplessly trapped with her own greatest fear.
After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.
Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
During a blizzard in 1964, Dr. David Henry delivers his son Paul with the help of nurse Caroline. But when Henry realizes his wife is also carrying a girl with Down syndrome, he hands the second child over to Caroline without his wife's knowledge. Henry's fateful decision yields grave consequences for his family over the next 20 years.
Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, 'Last Orders', that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy
Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.
Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.