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Camels and horses and sand oh my! "In 1856 Jefferson Davis, Secretary of War, organised the American Camel Corps of the United States Army, which mapped the southern route across the plains and deserts from Texas to California. The building of the trans-continental railroad ended the usefulness of the Camel Corps, and the animals were sold to private enterprise or escaped into the south-western desert where camels were still seen by lonely prospectors more than a decade later." Quite what filmic significance that opening statement has to how Desert Pursuit pans out is anybody's guess, but it's there and clearly the pic was meant to be more thematically telling than the odd ball piece it is. Out of Monogram, it's directed by George Blair and adapted to screenplay by W. Scott Darling from the novel written by Kenneth Perkins. It stars Wayne Morris and Virginia Grey, William Sickner photographs it out of Death Valley and the Sierra Mountains, and music is by Edward J. Kay. Plot pitches Morris and Grey on a journey through the desert trying to avoid three Arabian men who are up to no good. There's gold, camels, a burgeoning romance, oh and it's Christmas time as well, handy since there is three not so wise men on the scene and Grey's character is called Mary... It's actually a harmless movie, a decent time waster. The musical score blends Oater strains with Arabian flavours, the locations gorgeous, while Morris and Grey are a likable coupling. There's the odd dummy flung about the place, the fist fights scarcely believable, and you know how this is ultimately going to end, but it's a fun enough dromedary ride regardless. 6/10
Joan Wilder is thrust back into a world of murder, chases, foreign intrigue... and love. This time out she's duped by a duplicitous Arab dignitary who brings her to the Middle East, ostensibly to write a book about his life. Of course, he's up to no good, and Joan is just another pawn in his wicked game. But Jack Colton and his sidekick Ralph show up to help our intrepid heroine save the day.
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
Mercenary James Shannon, on a reconnaissance job to the African nation of Zangaro, is tortured and deported. He returns to lead a coup.
A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.
1965, Bob Denard, even early in his career, Battle in Congo. It strives to make its game in the middle of a bloody civil war fueled by rivalry and ambition postcolonial of a newcomer on the African scene: General Mobutu.
An ex-Navy seal, his girlfriend and their friends head out on a road trip to New Orleans. The group decides to stop at a roadside convenience store owned by Chopper, who tells them the tale of Lockjaw, a fabled god-like creature who is half-man, half-alligator.
A crafty drifter crosses paths with a gang of murderous thieves in the middle of nowhere, AZ.
