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Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
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Battle for Castle Itter 2025 - Movies (Jun 1st)
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The Pickleball Exorcist 2025 - Movies (May 31st)
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A RAD Documentary 2025 - Movies (May 30th)
Queer 2024 - Movies (May 30th)
The Chase Australia - (Jun 2nd)
Katy Tur Reports - (Jun 2nd)
Piers Morgan Uncensored - (Jun 2nd)
The Tucker Carlson Show - (Jun 2nd)
Homebound 3.0 - (Jun 2nd)
Tastefully Yours - (Jun 2nd)
Motorway Cops- Catching Britains Speeders - (Jun 2nd)
The One Show - (Jun 2nd)
Panorama - (Jun 2nd)
Chris Jansing Reports - (Jun 2nd)
Wish You Were Queer - (Jun 2nd)
Bridge of Lies - (Jun 2nd)
Alan Titchmarshs Gardening Club - (Jun 2nd)
Billy and Dom Eat the World - (Jun 2nd)
Garden Rescue - (Jun 2nd)
Duck Dynasty- The Revival - (Jun 2nd)
Border Patrol - (Jun 2nd)
Bargain Hunt - (Jun 2nd)
A Bite to Eat with Alice - (Jun 2nd)
Have You Been Paying Attention - (Jun 2nd)
Stan Grayson is in a Jazz Funk. Maxwell Shane remakes his own 1947 film Fear in the Night but with a better known cast and more money. Adapted from Cornell Woolrich's novel, story has Stan Grayson (Kevin McCarthy) as a New Orleans clarinetist who dreams he has committed a murder in a heavily mirrored room. Upon waking he finds clues that suggest he actually may have killed a man and frantically turns to his police detective brother-in-law, Rene Bressard (Edward G. Robinson), for help. But it doesn't look good for Stan... Fear in the Night is a good film, and so is this, but if you have seen the earlier version then this feels very much perfunctory. The opening titles are superb, as melted candle wax plays host to the roll call shown in moody dissolves. We jump into Grayson's dream, again this is very well constructed on noirish terms, and from there on in it's a competently crafted visual film noir picture with good tension and splendid jazzy interludes. However, nothing else makes it stand out, it just sort of exists as an exercise in late noir cycle film making, a pic that doesn't want to even try to push boundaries. The cast are dependable in performances, but nothing to really grab the attention, though Shane does work near wonders to cloak the characters in various levels of paranoia or suspicious machinations. New Orleans locales are a bonus, with cinematographer Joseph Biroc excelling at sweaty close-ups and the utilisation of shadows as foreboding presence's. It all resolves itself in a whirl of improbability, but as most film noir fans will tell you, that's actually OK. Yet this is still a film that's far from essential viewing for the like minded noir crowd. More so if you have happened to have seen the 1947 version first. 6/10
Martha Beck, an obese nurse who is desperately lonely, joins a "correspondence club" and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he's a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray's sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.
In their blue hotel room, a clandestine couple of two married lovers plan an impossible future, as death shutters their already frail tranquillity. Now, the noose tightens more and more around innocents and sinners; but, was there a crime?
Set in the 1920s, two drifters are being chased by the police after a failed train robbery.
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.
When an American tourist is murdered in the south of France, the police must investigate. In this movie, the police inspector re-creates the girl's journeys through France until the murder is solved. Suspicions are narrowed down to four possible perpetrators early on, and flashbacks illuminate the roles each one played in the girl's vacation.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Gabriela, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
Sean Veil is an ultra paranoid murder suspect who takes to filming himself round the clock to provide an alibi, just in case he's ever accused of another crime. Problems arise however when the police do come calling and the one tape that can prove his innocence has mysteriously disappeared.
Sam Clayton's marriage to ex-stripper Freddie comes about when she's strong-armed into the match by Red, a club proprietor who once did her a favor. But Freddie falls in love with Jjaks, Sam's brother, and the pair tries to escape the situation together. It isn't long before both Sam and Red catch up with them, resulting in threats against the two of them - although tension also starts to build between Sam and Red.