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This is a fine production of the Jane Austen novel, though it is not among my top two favorite adaptations. Not for any serious problems, but rather due to minor decisions that were made in the script. I expected to see more of Emma’s visit to Miss Bates, for example, after she is shamed into repenting her treatment of the silly woman. Other than that I enjoyed the movie well enough. The acting and the script were consistently good except for those moments I mentioned, and I would probably be willing to watch it again someday.
**A futile and silly Emma to be taken seriously, but entertaining and has some good moments.** Jane Austen is one of the great writers in the English language and her work has been fertile ground for adaptations and reinterpretations in theatre, television and cinema. From trash to luxury, there's no shortage of options, and each one stands out for one reason or another. This film was inspired by one of the author's novels about a charismatic and dreamy young woman who takes pleasure in gathering acquaintances and friends, and playing matchmaker. The problem is that, deep down, she herself feels lonely and doesn't really see a man capable of making her sigh, and almost all the dating arrangements she makes also end up with terrible results. In fact, this is another one of the works where Austen criticizes the society she knows, and where people are measured by their income and land assets, leaving their character and other “secondary” details behind. It was an elitist society, more bourgeois than aristocratic (what defines a person's value is their income, and noble titles end up being a means of financial income and not a sign of honor and nobility), and where love, romance and the opinion of the bride and groom was not much considered when it came to arranging marriage. All this is visible here. Filmed as a romantic comedy of sorts, the big problem with this film is that it all feels a little too vain, superficial and silly to be taken seriously. Gwyneth Paltrow had, in this film, one of her first roles of great notoriety, and we can say that, despite the time that has passed and the actress is still active, it is still one of the best films she has made. Paltrow knows how to be naive and well-meaning without seeming too silly for it, and she manages to deftly balance her character's attitudes in the fine interval between the gentle silliness and the excessive pampering of who she grew up with everything she wanted. Even better, Jeremy Northam does an extraordinary job and the same can be said for Toni Collete and Alan Cumming. Denys Hawthorne also does what she can, but like many of the more minor actors, she doesn't have as good material as the others. On a technical level, the film stands out for the quality of its cinematography, sets and costumes. The production went to great lengths to recreate the era and environments realistically, believably, and intelligently. However, it is the only thing. The dialogues could frankly be better, there are virtually no notable effects (but the ones that were used work very well) and the music and soundtrack are totally worthy of oblivion.
Hmmm. I'm not really an huge Jane Austen fan - and "Emma" is one of her least engaging stories, I find. Gwyneth Paltrow takes on the mantle of the title character, a rather thoughtless young woman who spends way too much time interfering in the lives of others - and not always with the best of intentions - frequently leaving a trail of emotional mayhem in her wake. It is only Jeremy Northam ("Mr. Knightley)" who dares to call a spade a spade with her, and to encourage her to mend her meddling ways, and to take up the opportunity of the love that is staring her in the face - before it is too late. Paltrow is fine as the adaptation is less wordy than in the original tome: Northam has a charm and sense of fairness that endears him to the audience (though, frankly, what he sees in "Emma" - aside from physical beauty - is anyone's guess) and there are a couple of nice supporting efforts from Alan Cummings, Juliet Stevenson and a really rather delightful performance from the put-upon "Mrs. Bates" (Phyllida Law). Rachel Portman provides a melodic and gentle score to accompany this very good looking drama, but it was all just a bit too Merchant Ivory for me, without the charm or the finesse of these colourful iterations.
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
A mystery novelist devises an insurance scam with his wife's lover – but things aren't exactly as they seem.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy - full of obsession, deceit and jealousy with dangerous and deadly consequences.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
The first installment of a two-part movie adaptation of the Vladimír Páral's novel about three friends who decide to start up an erotic enterprise. All plot complications ensue from running their 'amateur' pleasure parlor.