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**Friendship or business!** This is a pure drama. Like a real life event, though there's no documentary style narration influenced. Thematically very, very simple, and also the characters, but too flat when it comes to entertainment value. Of course, drama-films usually does not entertain its viewers, except for who are ardent fans of that genre. Apart from depicting the real life, sometimes they carry messages with them. But this film has no tick marks on any of those boxes. So it is a boring film if you pick it to watch when you're on the average or in the bad mood. I did not feel that way, just hinting out it could do that for others. The storyline had no focal point. It is neither a children's film, nor about the grownups' issues. But kind of mix of both on a small scale with strong outcome. Pretty much like on the two topics it was developed on. One was the 'death' which initiated everything and followed by the 'shop' that helped to make further progress in the tale. So using these, the film characters bloomed. Even though, these topics come into play occasionally and in the meantime, the scenes were wasted or you can say it followed the character to their daily routine to fill the film runtime. So what's that mean is the screenplay, which was not at its best. It does not follow the traditional film way on the character developments. Like I expected the friendship between two boys like how they find each other as to emerge a strong bond. That did not happen. It was just like I said in the real life, too casual and understandable. The same goes for the adult characters as well. When they decide to handle the shop issue, it was like hesitation like any average concerned family does. So this film will be good if your life is/was close to the events in the film. Like either it is your friendship that tested or dealing the sensitive issue as a grown-up that affects deeply those concerned ones. > ❝Once again, our warm, lovable, unwise father has left us a big mess and no instructions.❞ Now you might think what this film is all about. This is the story of the two families connected with a building. Opens with a small Manhattan family arriving in Brooklyn to conduct the last rite to their deceased father. They are received by another family who rented the shop in the ground floor. Both the family has the young boys of the same age and following the ceremony, the two become very close. But when their parents decide to sort out the shop issue, it's all fall hard on them and their friendship. The remaining is to reveal the outcome of whatever happened. You might be familiar with the quote that goes like this, 'a friendship founded on business in better than a business founded on friendship'. Basically, that's where the film inspired from. But it expanded to two sets of the characters, between the youngsters and the adults. These two categories are exactly opposite in mindset. Youngsters usually does not care about money that involves friends, but for adults, money is a serious matter to handle. The 'business' is attached to the parents and the 'friendship' drawn between their children. Now that's the complication involves as many people as to solve without affecting anybody. But most of the film was overwhelmed by scenes of other than this issue. They ignored to focus completely on where it had calibre. I felt the casting was the best thing happened in the film, particularly those boys. Alfred Molina, who played one of the main characters in the director's previous film was appeared here in a guest role for like a minute. The rest of them were decent as well, including Greg Kinnear. The film was just under the 90 minutes, yet too slow paced narration. Does not fit for everyone to watch. Imagine if this film was played on the television, with all the commercial breaks, you won't able to finish it off. Not without patience, because it is already dull, and if you will run out that, that's it. A lot like a product for the film festivals and it did fared decently on those platforms, but surely some people would find it good. So now you might think what my stance is. I liked it, also didn't. An average film with a slipped away opportunity. I am not sure, but still feel like I want to suggest it. _5/10_
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with it’s star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.