Deadpool and Wolverine 2024 - Movies (Sep 30th)
Teaches of Peaches 2024 - Movies (Sep 30th)
Stockholm Bloodbath 2023 - Movies (Sep 30th)
Three Old Boys 2024 - Movies (Sep 30th)
Longlegs 2024 - Movies (Sep 30th)
The Moviemakers Scorsese 2023 - Movies (Sep 30th)
The Wasp 2024 - Movies (Sep 30th)
Bring Him to Me 2023 - Movies (Sep 30th)
Hounds of War 2024 - Movies (Sep 30th)
Saturday Night 2024 - Movies (Sep 30th)
Megalopolis 2024 - Movies (Sep 30th)
Johnny Puff Secret Mission 2024 - Movies (Sep 29th)
Before Dawn 2024 - Movies (Sep 29th)
Nicole Kidman Eyes Wide Open 2023 - Movies (Sep 29th)
After Work 2023 - Movies (Sep 29th)
White Nanny Black Child 2023 - Movies (Sep 29th)
Alien Hunt 2024 - Movies (Sep 29th)
Fanatic 2024 - Movies (Sep 29th)
The Real West 2024 - Movies (Sep 29th)
The Mick and the Trick 2024 - Movies (Sep 29th)
Sometimes I Think About Dying 2023 - Movies (Sep 29th)
Paris Has Fallen - (Sep 30th)
The Cook Up with Adam Liaw - (Sep 30th)
Bargain Hunt - (Sep 30th)
Crimewatch Live - (Sep 30th)
Escape to the Country - (Sep 30th)
The Amazing Race Australia - (Sep 30th)
The Chase Australia - (Sep 30th)
Garden Rescue - (Sep 30th)
Sempre al tuo fianco - (Sep 30th)
Open House NYC - (Sep 30th)
No Gain No Love - (Sep 30th)
Murdoch Mysteries - (Sep 30th)
Letters and Numbers - (Sep 30th)
The Block - (Sep 30th)
FBOY Island Australia - (Sep 30th)
NFL Honors - (Sep 30th)
The Anonymous - (Sep 30th)
Americas Funniest Home Videos - (Sep 30th)
Watch What Happens Live with Andy Cohen - (Sep 30th)
Snapped- Behind Bars - (Sep 30th)
High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.
“Everyone steals according to one’s position in society.” A social critique, a credo to live by, and a recipe for the hilarious satire of Jacques Offenbach’s Les Brigands! The Opéra Comique’s rollicking 2011 production took full advantage of the talents of stage directors Macha Makeïeff and Jérôme Deschamps (members of the wildly successful French comedy troupe Les Deschiens) and the accomplished music director François-Xavier Roth.