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She's no good, but she's good for me! The Man Who Cheated Himself is directed by Felix E. Feist and written by Seton I. Miller and Phillip MacDonald. It stars Lee J. Cobb, Jane Wyatt, John Dall and Lisa Howard. Music is by Louis Forbes and cinematography by Russell Harlan. Ed Cullen (Cobb) is a cop who is having an affair with wealthy Lois Frazer (Wyatt). When Lois, in a fit of panic shoots dead her husband, it cause Cullen no end of grief. You see, he was there as well, a witness to the crime... Don't forget to change your will. This is a film noir entry that contains most of the elements that form that brand of film making. Something of an under seen - and undervalued - piece, it manages to rise above a few minor itches to play out as potent. Cullen (Cobb excellent) gets spun into a vortex of self inflicted trouble on account of his eye for a dame, essayed by a cast against type Wyatt. Both are unfaithful, she's unreliable and he's quick to break his own laws with dishonesty and a corruptible soul. Things spice up when Cullen's younger brother, Andy (Dall), himself a police officer, joins his brother in investigating the "now" mysterious murder case. So we have a family crisis brewing as the younger Cullen tries to crack the case, all while his elder brother tries to throw him off the scent of his own complicity. Wonderful, because like a few other great noirs (Scandal Sheet, The Big Clock et al) we have a protagonist effectively investigating himself. And with the brothers being polar opposites in life values, it keeps things simmering nicely in the intrigue pot. The dialogue is often clippy and the police procedural aspects are finely played with believable strokes. Close calls come and go as the detective work lurches from almost solved and closed to "hang on a minute something smells fishy here" , while tricky collusion's smile like a Cheshire cat. The great Russell Harlan (Gun Crazy/Riot In Cell Block 11) continually keeps things moody with shadows and low lights, whilst simultaneously bringing to life the splendid San Francisco locations. None more so than for the finale filmed out at a derelict and decrepit Fort Point, a perfect setting for noir if ever there was one (Hitchcock and Boorman thought so too!). Wyatt is just about convincing enough as a femme fatale, but you can't help but ponder what one of the true noir actresses could have done with the role. While you can't get away from the fact that really both Cullen and Frazer simply had to front up for a self defence case at the beginning and there would have been no hassle. But as weak as that aspect is, there wouldn't have been this noir tale to tell, all of which is helmed with careful and knowing hands by Feist (Tomorrow is Another Day). 7.5/10
This is quite a decent little crime noir with Lee J. Cobb as a veteran police officer called in to investigate a murder. Thing is, the murdered man just happens to be the young (soon to be ex) husband of his wealthy lover Jane Wyatt ("Lois"). It isn't long before we start to suspect some sort of cover up, and so does his partner and younger brother John Dall ("Andy"). It's a solid detective mystery with Cobb and Wyatt on good form. Dall always was a bit of an effort to appreciate - his looks did most of his acting for him, and here they don't really shine. The dialogue is quite sharp, the pace likewise and there are just about enough red herrings to keep the plot interesting, with quite an exciting last ten minutes. Worth a watch.
B-movie film noir take on Crime and Punishment. A college student gets deeper and deeper in trouble when he takes a loan from a shady college professor.
A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.
When it rains in the city, a serial killer known as "The Judge" looks for his next strangling victim. For months, the madman has been stalking at night, leaving behind clues, but police efforts have been fruitless. Constructing a life-size dummy of the murderer, police Lt. Harry Grant is growing obsessed with capturing him, and always following Grant is the relentless reporter Ann Gorman looking to break the story, but the hunt continues.
A man wanted for negligent homicide returns to his hometown after 15 years, only to be haunted by his past, and getting mixed up in a scheme involving the daughter of his victim.
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
Dirty Harry Callahan returns again, this time saddled with a rookie female partner. Together, they must stop a terrorist group consisting of angry Vietnam veterans.
San Francisco Bay, January 18, 1960. Frank Lee Morris is transferred to Alcatraz, a maximum security prison located on a rocky island. Although no one has ever managed to escape from there, Frank and other inmates begin to carefully prepare an escape plan.
A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.