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Burst City from 1982 is a punk rock operetta with the polemic stance that is essential for the anarchist strains of punk traditions. Sogo Ishii relies upon and extends punk rock aesthetics to a convincing gesamtkunstwerk that interestingly sits very well between the post-apocalypse of the time and the cyberpunk that is yet to come. But most of all, I'd say Burst City is a war movie. A war movie where the trenches have been exchanged for a dystopic industrial slum and the main weapons are words, clubs and guitars. The anti-hero protagonists are the dynamic constellations of punk rockers, greasers and local underdog gangsters (assisted by travelling armored warriors in a motorized chariot) that have to put their infighting on hold. They are opposing not only the regular harassment of the "Battle Police" but also the approaching forces of the yakuza affiliated developers that are going to replace the neighbourhood with a nuclear powerplant. It is a David against Goliath battle and also one of anti-authoritarianism and non-conformity against gentrification and corruption that follows with normative society. The basso continuo is the relentless beating of the punk rock war drums and the libretto is emotive rather than narrative, again fully in line with the punk rock culture. Two hours long and an early movie by the then 25 year old Sogo Ishii but there is barely a slow moment as the narrative keeps pushing toward the explosive ending. With a refresher in post production it could pass as fresh out of the furnace. Highly recommended.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.
The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers, and only one man can stop him.
Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.
In a dystopian 2021, Johnny is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant's safety limits—and will kill him if the data is not removed in time—but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life.
A world of the very near future in which cattle, fish, and even the family pet can be cloned. But cloning humans is illegal - that is until family man Adam Gibson comes home from work one day to find a clone has replaced him. Taken from his family and plunged into a sinister world he doesn't understand, Gibson must not only save himself from the assassins who must destroy him to protect their secret, but uncover who and what is behind the horrible things happening to him.
Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.
