Flesh and Blood: The Hammer Heritage of Horror

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

After a series of scientific experiments directed towards freeing the inner man and controlling human personalities, the kindly, generous Dr Henry Jekyll succeeds in freeing his own alter ego, Edward Hyde, a sadistic, evil creature whose pleasure is murder.

When several young girls are found dead, left hideously aged and void of blood, Dr Marcus suspects vampirism. He enlists the help of the Vampire Hunter. Mysterious and powerful, Kronos has dedicated his life to destroying the evil pestilence. Once a victim of its diabolical depravity, he knows the vampire's strengths and weaknesses as well as the extreme dangers attached to confronting the potent forces of darkness.

One by one the archaeologists who discover the 4,000-year-old tomb of Princess Ananka are brutally murdered. Kharis, high priest in Egypt 40 centuries ago, has been brought to life by the power of the ancient gods and his sole purpose is to destroy those responsible for the desecration of the sacred tomb. But Isobel, wife of one of the explorers, resembles the beautiful princess, forcing the speechless and tormented monster to defy commands and abduct Isobel to an unknown fate.

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

After Jonathan Harker attacks Dracula at his castle, the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.

An eclectic group of characters set sail on Captain Lansen’s leaky cargo ship in an attempt to escape their various troubles. When a violent storm strikes, the ship is swept into the Sargasso Sea and the passengers find themselves trapped on an island populated by man-eating seaweed, giant crabs and Spanish conquistadors who believe it’s still the 16th century.

After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.

Professor Van Helsing had been asked to help against the tyranny of skeletal creatures that are responsible for terror and death amongst the peasants in rural China. He is the only person qualified to deal with the cause of these phenomena, for the undead are controlled by the most diabolical force of all.... Count Dracula. But he is not alone- to aid him comes a mystical brotherhood of seven martial arts warriors.

In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.