Hollywood in Deblatschka Pescara

At once a vast expanse of mesmerizing desolation and the crucible of human history, the Sahara Desert has been both the battlefield of empires and the haunted wilderness at the margins of the known world for thousands of years. Shot on location, this exhilarating documentary brings to life the Sahara’s cruel history and the conflicts that still plague its people. THE SAHARA recounts the story of kings who once led caravans of 30,000 people across the desert, bearing riches beyond imagination. It tells of Roman death squads that exterminated the citizens of the Empire’s most bitter rival and how the Foreign Legion crafted a legend out of last stands and lost causes. From the fabled metropolis of Timbuktu to the shores of Tripoli, THE SAHARA is an illuminating exploration of this unforgiving and remote land of myth and mirage.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Permaculture expert Geoff Lawton describes how he and a team of volunteers grew an oasis in arid, salty lowland, despite extremely high temperatures and minimal irrigation. The site is the lowest dryland expanse on Earth: a plain in Jordan, two kilometres northeast of the Dead Sea, and 400 metres below sea level.

Namib, an incredible spot is home to the highest sand dunes on Earth, along with 3500 species of plants of incredible diversity, all adapted to the arid climate. Elephants, antelopes, lions, giraffes and rhinoceros roam freely in the Namib with neither fence nor enclosure, as if at the dawn of time. Management of the protected areas has been entrusted to the local people and in particular to the Himba, the dominant tribe of the desert. Underground there are hidden treasures, diamonds, uranium and iron. From the beginning of the 20th century the Namib has attracted miners from all over the world, with an increasing appetite. Today, new mining projects threaten the ecosystem of the region. Olivia crosses the desert from the South to North, sharing the difficult everyday lives of the people of the desert. Exploring this rich but fragile garden of Eden, she attempts to understand why the survival of the desert is so important to the people and animals that live there.

Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.

An in-depth documentary on renowned film producer James Ivory, co-founder of globally acclaimed Merchant Ivory Productions.

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.

This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The Lady Vanishes' British context and political underpinnings and the details and techniques that undeniably make it a 'Hitchcock picture.'

When David Lynch was making his film Blue Velvet, German filmmaker Peter Braatz was also on set, shooting documentary footage with a Super 8 film camera. Now, on Blue Velvet's 30th anniversary, Braatz presents his footage, along with still photographs, as a "meditation" on Lynch's work.