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After the First 48 - (Mar 28th)
Accused- Guilty or Innocent - (Mar 28th)
The First 48 - (Mar 28th)
The Chase Australia - (Mar 28th)
The One Show - (Mar 28th)
Beyond the Gates - (Mar 28th)
When Life Gives You Tangerines - (Mar 28th)
Farmer Wants a Wife - (Mar 28th)
Teen Mom- The Next Chapter - (Mar 28th)
A Decent Man - (Mar 28th)
Know Where to Hide - Wie niet weg is… - (Mar 28th)
Next Level Chef - (Mar 28th)
When No One Sees Us - (Mar 28th)
The Last Word with Lawrence ODonnell - (Mar 28th)
TNA iMPACT - (Mar 28th)
Doctor Odyssey - (Mar 28th)
Bang Rak Soi 9/1 - (Mar 28th)
Yellowjackets - (Mar 28th)
Power Book III- Raising Kanan - (Mar 28th)
The Trades - (Mar 28th)
Cage Rage! Lady in a Cage is directed by Walter Grauman and written by Luther Davis. It stars Olivia de Havilland, Jeff Corey, James Caan, Ann Sothern, Jennifer Billingsley and Rafael Campos. Music is by Paul Glass and cinematography by Lee Garmes. If you trawl for reviews of this film you will find pretty much all the cinematic words used to describe a non big budgeted mainstream film that many love. Re: Cult, Camp, Schlock and etc, what ultimately transpires with Lady in a Cage is a film that everybody should understand why some love and some hate it. One film lovers camp schlocky classic is another one's irritatingly over acted bore. I'm close to being in the latter camp. It start off so well, the Paramount logo in cage stripes, a jarring score, a dead dog in the road and superb opening credits that segue into in your face fast cuts. Then story pitches wealthy Cornelia Hilyard as being trapped in a elevator cage in her home (she's recovering from a broken hip see), being all alone she's forced to use the alarm system, which brings into play unsavoury and unstable characters to blight and torment home and woman both. The big message beating at the pic's black heart is so heavily handled by the makers it ends up boorish, rendering shock factor as zero. Come the mid-point the overacting on show by all - including the once magnificent de Havilland - is almost unwatchable. In fact much of it ends up being laughable, so as one is meant to feel repulsion at the stink infecting the human race, one is instead pondering the implausibilities of it all. There's a scene where Cornelia should simply push her chief tormentor out of the cage, but no!, the over cooked screenplay wants to cram in a load more daft human foibles before reaching its finale. We even have a case where two characters in the play, one a key player in proceedings, don't have their fates revealed. Not in a crafty cliffhanger way, but in a lazy forgetful piece of hackdom. You have to say its effective because it draws you in with its unpleasantness - both as an observation on the human condition and as poor film making - so much so you have to stay with it to the end. Perhaps that is job done, then? But really it's one that this viewer personally could not recommend at all. 5/10
Lionel Twain invites the world's five greatest detectives to a 'dinner and murder'. Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings - and quickly discovers that he is in over his head.
Jack Traven, an LAPD cop on SWAT detail, and veteran SWAT officer Harry Temple thwart an extortionist-bomber's scheme for a $3 million ransom. As they corner the bomber, he flees and detonates a bomb vest, seemingly killing himself. Weeks later, Jack witnesses a mass transit city bus explode and nearby a pay phone rings. On the phone is that same bomber looking for vengeance and the money he's owed. He gives a personal challenge to Jack: a bomb is rigged on another city bus - if it slows down below 50 mph, it will explode - bad enough any day, but a nightmare in LA traffic. And that's just the beginning...
The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.
After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
A young man and his girlfriend move into the man's old mansion home, where he becomes possessed by a need to control ancient demons.
Eetu, a wealthy homeowner, attempts to seduce Leena Kosken. But when austere log boy Erkki meets her at midsummer dances, Leena falls in love with him instead. Jealous, Eetu turns the men of the village against Erkki and the Tukki people.