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The Front Room 2024 - Movies (Sep 9th)
The Twisters 2024 - Movies (Sep 9th)
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Inside Out 2 2024 - Movies (Sep 9th)
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Beetlejuice Beetlejuice 2024 - Movies (Sep 8th)
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The Rachel Maddow Show - (Sep 10th)
The Beat with Ari Melber - (Sep 10th)
The ReidOut - (Sep 10th)
Inside with Jen Psaki - (Sep 10th)
24 Hours in Police Custody - (Sep 10th)
Jamie- What to Eat this Week - (Sep 10th)
Never Mind the Buzzcocks - (Sep 10th)
Police Interceptors - (Sep 10th)
Celebrity IOU - (Sep 10th)
The Bold and the Beautiful - (Sep 10th)
The Talk - (Sep 10th)
90 Day Fiance- The Other Way - (Sep 10th)
The Young and the Restless - (Sep 10th)
The Great North - (Sep 9th)
Sherwood - (Sep 9th)
Panorama - (Sep 9th)
Fight Night- The Million Dollar Heist - (Sep 8th)
The Answer Run - (Sep 9th)
The Boy That Never Was - (Sep 9th)
Escape to the Country - (Sep 9th)
Kru, wife Chantui and their three children live a fairly subsistence life in this silent film set amongst the wilderness of the Siamese forest. Here they try to peacefully co-exist with nature - providing they keep their livestock in an heavily fortified coral and build their home high up on stilts where coconut milk and freshly milled rice sustains them. A visiting leopard makes short work of his animal's defences though, and he decides that he must ensnare this beast before it eats him out of house and home (and quite possibly family, too). He carries on cultivating his land using a water buffalo whilst their pet - a perfectly wild - monkey makes short work of the larder and Chantui weaves herself a basket. Night-time brings an a operation that might make Noah's ark look straightforward as they get their animals snug, and hopefully safe for the night. Sadly, more bad news awaits them in the morning when they discover that the buffalo went for an early morning stroll and encountered a tiger! What of the leopard, though? Will it take the bait and find self ensnared too? Kru realises he needs help so travels to the local village to get help building more, sometimes quite complex, traps and tracking down the beast of prey. Pits, nets, razor sharp bamboo spikes. Battles lines are drawn as man hunts beast and beast hunts man. There's something authentic about this. Aside from some pretty risky natural world photography, we see that the ingenuity and weaponry of man is usually more than a match for the instinctive power of those wild creatures who are simply no match for ropes and the bullet! Until, that is, an herd of elephants prove that even bullets won't stop everything and the villagers must resort to camouflage and stealth to drive and contain this marauding menace! At times it's quite exciting to watch and it builds well to a dangerous and chaotic if, I felt, entirely unsatisfactory denouement. All sorts of critters feature here and it's worth watching to illustrate just how nature gets on when mankind is part of it's matrix, not all of it. "Brain outweighs brawn". Pity, that, sometimes.
1547. Fernando de Gama, a young "Soldier of Fortune" from Portugal, set sail for the Orient in an effort to find a man who murdered his father and, with luck, like many of their compatriots, to make his fortune. A vicious storm in the Indian Ocean almost ended his plans when he was on the ship sank. The sole survivor, he was washed up on a tropical beach only to be captured by Arab slavers and taken to Ayutthaya in the kingdom of Siam, where he was offered for sale as a slave.
Set in 1934 Siam, the story involves a young pregnant woman named Nualchan who's searching for her missing husband. She comes to stay in the spooky rural mansion of a widow, Runjuan.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences. (stumfilm.dk)
The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.
The Last Bohemian (Hungarian: Az Utolsó bohém) is a 1912 Hungarian film directed by Michael Curtiz. It was Curtiz's debut film as a director.
Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.