So It Goes

A ferocious, bullying music teacher teaches a dedicated student.

An animated visual interpretation of the song "Autobahn," by German electronic pioneers Kraftwerk. A fast-paced experimental film which proved to be a groundbreaking combination of electronic and manual animation. One of the first films produced specifically for video disk.

In this extra scene from "Descendants: The Rise of Red," Bridget follows her dream of spreading love and joy to all through her dance, the "Shuffle of Love." Red and Chloe see how important the dance is to Bridget and offer to help perfect it in time to debut the dance at Merlin Academy’s biggest event, Castlecoming. In the euphoria of perfecting her dance for all to see, Bridget’s imagination runs wild, and her dance explodes beyond her wildest dreams… or so she thinks.

In the day three girls wander the idyllic St Kilda pier, basking in the rays of a sweet summer day.

Shinji, Rei, and Asuka in their states at the end of “Evangelion: 3.0.” A post-Impact world.

Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.

In a small village ruled by ridiculous laws, three singing sisters and their dog rehearse for the Annual Autumn Festival. But an unexpected event will disrupt their plans.