No estoy loca

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

When loved ones are murdered, Elijah’s beliefs are compromised as he considers revenge. But a visit with Joseph and Mary may offer a new perspective.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.

A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.

Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

Twelve extremely talented men and women have been chosen to be part of the Phaeton mission, a 10-year trek to explore a distant planetary system. In order to endure the stress of being confined to their high-tech vessel, the crew passes the time using advanced virtual reality modules that allow them to take on various identities. But as the ship approaches a critical phase of their journey, a deadly flaw is discovered in the virtual system, forcing them to question if someone onboard might be a killer.

Cleveland 'Stack' Stackhouse is a guard with the Texas Correctional Youth Authority who witnesses the cycle of destructive choices and racial tensions among female teen offenders and decides to do something about it. He gathers African-American, Latina and Caucasian teens, and organizes a multi-racial track team behind the bars of the prison. Participation in Stack's track team not only breaks down the racial divides between the girls, but puts them on a path to turn their lives around.

Former champion boxer Orlando Leone (Carmen) is "The Preacher" at an inner-city youth center. Wanting to give something back to the community, he bought a large building for a church youth center. But the cash ran out before he could finish fixing it up and now, the mortgage company is about to foreclose. With his bills mounting he agrees to one last fight.

Pepe has left the psychiatric hospital after serving time for stealing to work. Only the solidarity of Antonio, a disabled activist, allows him to build a fragile life on which to project his weak hopes. Nevertheless, his need to fit in a senseless world becomes a desperate chore. The horizon of his long-awaited “normality" proves unreachable. The relationship with Antonio interpellates his view of life, inviting him to recognize himself as an anomaly and invent a new madness in which to live.