J'aimerais pas crever un dimanche

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

Aurora Rumelin is happy because the noble writer Leopold Sacher-Masoch has asked for her hand. Little by little the marriage goes into crisis mainly because Leopold asks his wife to beat him before sexual relations and to treat him like a slave. Both spouses have lovers and, in the end, the marriage ends in divorce.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

Alberta, a mousy young woman with the survival skills of a snail, loses cash that isn't hers, so she runs from her small town to Seattle where her old babysitter, Celene, lives - a dominatrix with a classy apartment and a life plan. She lets Alberta stay. Alberta gets a job as a checker at a supermarket and becomes fascinated with Celene's work.

Marie, a teenage vagabond whose lust for life will eventually lead her to the bed of the mysterious Sandra. What begins as a blissful relationship soon takes a violent turn however, as Sandra tries to take full control over the innocent girl's life.

Single mother Diana struggles to provide for her child and pay for her college education. When she meets two dancers from a nearby gentlemen's club, Diana's convinced there's fast money to be made stripping.

A psychiatrist encourages his female patients to tell him their sexual problems, each as each relates her particular case, we see it in flashback.

Inspired by the Baader-Meinhof gang, a film about modern left Germans adopting the culture of extreme left-wing movements of the 1970s. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.

Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.