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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com This type of movie is always rather divisive between critics and audiences simply due to its nature. Story-wise, it's never groundbreaking or innovative in any shape or form. These apocalyptic films always follow a formulaic screenplay, packed with logical inconsistencies, but also with tons of thrilling action. Visuals vary in quality depending on the studio, as well as sound design and other technical aspects. I always try my best to accept *everything* these movies throw irrationally at the viewer. I prepare myself to be as open-minded as I can, and usually, I have no issues with that (actually, I find the "that's not how science works" argument a bit nitpicky in this subgenre). However, Greenland fails to deliver the only thing I did expect from it: a planet-killer comet of pure popcorn entertainment. The only positive aspects are the cast and two/three sequences genuinely exciting. Gerard Butler is already used to this sort of film (Has Fallen series, Geostorm), so he has no problems in portraying another thin character with no real motivations or depth. Same goes for Morena Baccarin, who simply plays the wife of Butler. Both deliver good performances, enough to keep me engaged until the end of the flick. The few good sequences are really good. Little scraps of the giant comet hit Earth before the extinction-level event, and these look great. Nevertheless, just this for a 119-minute runtime is far from being satisfying. As expected, Chris Sparling's screenplay is as generic as it could be, just like Ric Roman Waugh's direction, which doesn't really offer anything remotely new. Some narrative decisions (not related to science or technology because these I just accepted as part of the usual illogical stuff) are definitely to pass the time since they have no consequences whatsoever. Greenland is precisely like dozens of other movies in the subgenre, but without the technical aspects that end up elevating the overall picture. The VFX look dated in some sequences, almost like they didn't have enough time (or money) to finish them. I mean, a static image of a meteorite shower as the sky? Really? Sadly, this comes across as amateur and lazy. The absence of a powerful score (David Buckley) makes the action scenes feel "empty", like something is missing. A few fighting moments are pretty much impossible to see clearly due to the overly dark environment and choppy editing (Gabriel Fleming). Overall, the action walks the line between decent and terrible. However, the most significant "slap in the face" is the planet-killer comet that everyone is going to look forward to as soon as they enter the theater. There's no way of working around this: if an entire film builds up a third act's massive comet of the side of Europe, it must show it hit the ground in all of its splendor. The gigantic explosion of ridiculous proportions, the endless smoke that fills up the whole atmosphere, the distinctive sound of the impact... This is the moment that can make or break any apocalyptic movie. Unfortunately, and I'm only going to write this, it broke. In the end, Greenland is predictably underwhelming, packing only a couple of genuinely exciting sequences, and a decent cast. Gerard Butler and Morena Baccarin try, but they're not enough to compensate for everything else. As expected, Chris Sparling's formulaic screenplay doesn't add a unique storyline or innovative aspect to the genre, as well as Ric Roman Waugh's basic direction. This would all be fine if the action delivered what most people want to see, but sadly, this component is also quite a letdown. Despite a few occasional, riveting scenes, the entertainment levels are pretty low due to the unimpressive visual effects, lack of a powerful score, and poor editing, culminating in a "viewing-killer" disappointment. If you absolutely love apocalyptic films, maybe you'll find something enjoyable about it that I didn't. However, if this type of movie doesn't suit your preferences, then this one surely isn't going to convert you. Rating: D+
Briskly paced and littered with jagged, realistic edges though it is, 'Greenland' ultimately imagines a very sentimental planetary extinction. Perhaps the highest compliment I can pay this film is that it's far better than the annual paint-by-numbers Gerard Butler movie that humanity is used to receiving. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-greenland-a-gerard-butler-flick-that-isnt-a-disaster
“Greenland” ranks well above average when it comes to disaster movies. Screenwriter Chris Sparling takes the traditional end of the world blueprint and inserts some really nice surprises and twists, making this formulaic action flick seem not as much so. John (Gerard Butler) is in a race against time to save his wife (Morena Baccarin) and son (Roger Dale Floyd) from an alien killer comet that is hurtling towards Earth. The impact of the big one is expected in less than 24 hours, and there seems to be no hope for any survivors. While at the grocery store, John gets a terrifying message from the Department of Homeland Security alerting him that his family has been chosen to flee to a safe haven bunker in Greenland. As the trio attempt to get to the designated location, a lot starts to go wrong. Director Ric Roman Waugh worked with Butler on “Angel Has Fallen,” and he is a good choice at the helm. He creates a world of increasing panic and lawlessness, and you’re right there along for the ride. The movie has a brisk pacing, and the stakes are high. The special effects are satisfying, especially the scenes of destruction. That is, after all, why most of us watch movies about catastrophes in the first place. Even more admirable is that the film doesn’t fall into the trap of the typical “rah rah” patriotic disaster movie. There are no waving American flags, no slow motion masculine strutting. Instead, “Greenland” sets its bar at a much higher level, and it succeeds. This is a really well done, enjoyable popcorn movie.
Cue the epic music... and exactly the same elements, acting, cinematography, and script that are in nearly every disaster movie in the last 20 years.
Two Hong Kong cops are sent to Tokyo to catch an ex-cop who stole a large amount of money in diamonds. After one is captured by the Ninja-gang protecting the rogue cop, the other one gets his old Orphanage gang, dubbed the "Five Lucky Stars," to help him. They don't like this much, but they do it.
Charlie Taylor gets a surprise release from jail after a year for a crime he denies committing. His songwriter girlfriend Randi is glad he's back and calls on an ex-boyfriend, Carl Olsen, to get Charlie a job. Carl, now a district attorney in the Malibu area, hooks Charlie up with Emma De Layle, the sultry wife of an ill but still-powerful rich man. She wants Charlie to be the middleman in a fake kidnapping of her step-daughter, Melissa, who's in on the plot because she wants cash to break free of dad and Emma is happy to have her leave. Things are bound to go wrong, and Charlie may be left holding the bag yet again. Who's pulling all the strings in this web of intrigue?
When recently single Steven moves into his new apartment, cable guy Chip comes to hook him up—and doesn't let go. Initially, Chip is just overzealous in his desire to be Steven's pal, but when Steven tries to end the 'friendship', Chip shows his dark side. He begins stalking Steven, who's left to fend for himself because no one else can believe Chip's capable of such behaviour.
The offspring of sportsman canine Air Bud: B-Dawg, Mudbud, Budderball, Buddha, and Rosebud, uncover a kidnapping plot motivated by a little rich boy's desire to have the world's most athletic dog as a pet.
When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of homicidal 18-wheelers. The frightened people set out to defeat the killer machines ... or be killed by them.
Steve Martin and Bonnie Hunt return as heads of the Baker family who, while on vacation, find themselves in competition with a rival family of eight children.
Bubba Ho-tep tells the "true" story of what really did become of Elvis Presley. We find Elvis as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death," then missed his chance to switch back. He must team up with JFK and fight an ancient Egyptian mummy for the souls of their fellow residents.
When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
After his revival in a hospital morgue, Jason fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers.
When Travis, the mouthy son of a criminal, disappears in the Amazon in search of a treasured artifact, his father sends in Beck, who becomes Travis's rival for the affections of Mariana, a mysterious Brazilian woman. With his steely disposition, Beck is a man of few words - but it takes him all the discipline he can muster to work with Travis to nab a tyrant who's after the same treasure.