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A Working Man 2025 - Movies (Jun 2nd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
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The Pickleball Exorcist 2025 - Movies (May 31st)
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A RAD Documentary 2025 - Movies (May 30th)
Have I Got News for You - (Jun 3rd)
Night Coppers - (Jun 3rd)
Springwatch - (Jun 3rd)
90 Day- Hunt For Love - (Jun 3rd)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
Bargain-Loving Brits in the Sun - (Jun 3rd)
Deadline- White House - (Jun 3rd)
Best of The Beat with Ari Melber - (Jun 3rd)
The Price Is Right - (Jun 2nd)
The Bold and the Beautiful - (Jun 2nd)
The Young and the Restless - (Jun 2nd)
Scotlands Home of the Year - (Jun 2nd)
Fare Dodgers- At War with the Law - (Jun 2nd)
Narrow Escapes - (Jun 2nd)
The Chase Australia - (Jun 2nd)
Katy Tur Reports - (Jun 2nd)
The Tucker Carlson Show - (Jun 2nd)
Homebound 3.0 - (Jun 2nd)
Tastefully Yours - (Jun 2nd)
***Some kids with creepy dead eyes take a dreamlike trip to the North Pole on The Polar Express*** A boy from Grand Rapids, Michigan, is at the age where he no longer believes in Christmas, as far as Santa, his elves and flying reindeer go, but a magical train appears in front of his home on Christmas Eve and whisks him away on an adventurous trip to the North Pole with several other kids. “The Polar Express” (2004) was based on the 1985 Christmas book and was the first mainline movie to use motion capture animation for all its characters beginning to end (think Gollum from “The Lord of the Rings” trilogy). Some people think the animation is weak, but I feel it creates its own world and has its own charm. It holds up as long as you can adapt to those creepy dead eyes of the characters. Some people love this movie while others think it’s weird, like a Twilight Zone Christmas flick. Roger Ebert, for instance, loved it and gave it a perfect grade. I’m sorta in the middle. I see its good points and appreciate them, like the haunting winter ambiance, parts of the trip to the North Pole (e.g. the quasi-rollercoaster ride) and the kids’ investigation of the Christmas factory. But there are some meh parts and dubious sections like the whole last act with the multitude of elves and the towering Santa who looked like he was modeled after 6’5” Christopher Lee with a pillow strapped to his mid-section. The movie’s interesting in some ways but also quaint in a cheesy way, as well as peculiar and lifeless. The film runs 1 hour, 40 minutes. GRADE: C
No matter how many times I watch this, it always brought me to tears! I only wish that I got to see it in 3D at the cinema.
Watching The Polar Express is not an annual event for me, but I believe I have seen it three times and would not nix the idea if someone were to suggest watching it again. I feel a connection to it for an odd reason: my wife and I volunteered one Christmas season to be elves serving cocoa and dancing for an actual Polar Express narrow gauge train ride when we lived in Maine. (Though I can assure you our dancing was not as acrobatic as what you see in this movie.) The animation feels a little odd at first, but I stop noticing it each time I watch it. The story turns the train trip to the North Pole into a real thrill ride for the children on board, especially for our hero boy, voiced by Tom Hanks. In fact, if you are a Hanks fan, settle in, because he does multiple voices here, including one that sounds remarkably like Gilbert Godfrey to me. I try to avoid punching holes in the plots of Christmas movies. Half the point is that they will include unlikely events all leading to the miracle of Christmas ending. You want logic; pull out the old algebra textbook!
A young man is all excited as he heads to bed on Christmas eve. His sleep is disturbed though, when his house starts to shake. He bounds to the window whereupon he sees the arrival of a great train, one he quickly discovers is heading on to the North Pole. Safely aboard he encounters other children and adventure beckons as they learn that one child will get to meet Santa Claus himself before he embarks on his global deliveries! I didn't love this film. I found the rather sharp, linear, facial animations a bit too sterile and there is way too much chatter with not enough going on. I can play chase the ticket once, but after a while that became little better than a clunky conduit for the rather episodic nature of the narrative. I'm sure that technically it is a masterpiece of CGI and human interaction, but somehow it all just left me feeling that the cheesy sentiment overwhelmed it with it's messages of teamwork and the Christmas spirit well and truly over-egged. Alan Silvestri has provided a nice score, and when the animation scenes focus on the actual train then it does liven up a bit, but sorry - for the most part I wasn't sold.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Harry, Ron and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality. But with Harry's beloved Dumbledore dead and Voldemort's unscrupulous Death Eaters on the loose, the world is more dangerous than ever.
Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort's formidable skills.
Kevin McCallister's parents have split up. Now living with his mom, he decides to spend Christmas with his dad at the mansion of his father's rich girlfriend, Natalie. Meanwhile robber Marv Merchants, one of the villains from the first two movies, partners up with a new criminal named Vera to hit Natalie's mansion.
When the Walker family members switch bodies with each other during a rare planetary alignment, their hilarious journey to find their way back to normal will bring them closer together than they ever thought possible.
An ordinary young boy called Nikolas sets out on an extraordinary adventure into the snowy north in search of his father who is on a quest to discover the fabled village of the elves, Elfhelm. Taking with him a headstrong reindeer called Blitzen and a loyal pet mouse, Nikolas soon meets his destiny in this magical and endearing story that proves nothing is impossible…
Carlo and Giulia are grappling with new problems regarding the division of their respective tasks within the family. Since Giulia has started working again, it is Carlo who takes care of the children and the household chores. However, he starts to find the role of “Mr. Mom” a bit tight-fitting. Just when he decides to get back into the game and look for a job, Giulia reveals to him that she is up for a promotion that would lead her to move to Sweden. As if that weren’t enough, she will have to take the interview on December 24 in Stockholm. Everything seems to threaten the family unity. What should they do? Carlo comes up with a "brilliant" idea… To recover the old camper and drag the family into an adventure that will lead them on a journey to the North to spend Christmas all together lovingly. Unexpected events along the way and a hilarious encounter/confrontation with a self-styled Santa Claus will make the trip unforgettable.
Draculaura has a fright idea when her dad lectures her class on human holidays! She convinces the Monster High students that it's time for their own holiday - a Howliday! But, the students have different, competing ideas for the howliday, causing chaos. Now the ghouls must use their abilities to unite the students with the message: Holidays are about family and togetherness.
A disillusioned opera star, a lonely pastry chef, and a divorced Don Juan with an amorous history offstage make for choice ingredients in this poignant romantic tale spiced with Christmas cookies, borscht, and an alarming quantity of deadly insecticide. Director Tribuson demonstrates a deft talent for juggling comic romantic disasters from a woman’s point of view as her characters negotiate the bamboozling ways of love. Middle-aged Verica (acclaimed actress Marinković) pours her heart into her café’s pastries, but she can’t seem to find a like-minded lover until a duplicitous handyman with pheromones to spare and an eye for the ladies sets off a chain of unforeseen adventures all tied together by one fateful plate of tasty treats.
Ebenezer Nezzer is out of control! He's trying to make Easter bigger than ever by filling London with plastic eggs! But just how hard can his mechanical chickens work before they're… well, fried? In just one unforgettable day and night, Cavis and Millward (Bob and Larry) and a music box angel named Hope must convince Nezzer that Easter is about more than candy and eggs. Inspired by Dickens' Christmas classic, this very special VeggieTales film explains why millions of Christians around the world celebrate Easter past, present and future.
Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to "create" a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.