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Abigail (Christina Ricci) is a single mother of two who becomes pregnant after a one-night stand with Ben (Hamish Linklater). She's mature and down to earth; he suffers from Peter Pan syndrome and tends to put his foot in his mouth (trying to talk her into getting an abortion: “no one is going to want someone your age with three children”). In spite of his reaction, Abigail has sex with Ben again the same night she breaks the news to him; perhaps she thought she wasn't going to get any more pregnant than she already was. The next morning Ben decides that he not only wants to keep the baby but also attempt a relationship with her and her previous children – but this is more a whim than a well-thought-out decision; nearing 40, Ben thinks finally settling down is what he wants, or at least what he's supposed to want. At the same time, he sends Abigail mixed signals, to some extent paving the way for his eventual flight. Both engage in a vicious circle wherein she lowers her guard, and he lets her down; he returns with his tail between his legs, and she forgives him and takes him back. Ricci remains as capable and effective as she was when she debuted 30 years ago, and 10TWSDBWBU is a worthy addition to her eclectic filmography. That said, it's Linklater who elevates his game to a whole new level; his acting is so subtle you don't fully realize everything that's bubbling under the surface while watching the film – it's only as I write this that I reflect on the nuances of his performance. Ben could very well be a sociopath (and I think one character actually hints at that possibility). His boyish charm and rakish demeanor easily ingratiate him with Abigail and her family, and his immaturity and inexperience are the perfect excuse for his blunders – all the while underhandedly using Abigail's pregnancy, especially the deadline for an abortion, as some kind of ever-present ultimatum, to manipulate her. Writer/director Galt Niederhoffer doesn't expect us to like or dislike Ben; he leaves a small margin of ambiguity, enough for us to exercise our own judgment (though Linklater can convincingly turn the insanity all the way to 11, as he does in the Amazon Prime series Tell Me Your Secrets – another showcase for his mastery of the slow burn). Finally, 10TWSDBWBU (movies about lists are invariably bad, but in this case the title is misleading) is honest about what happens after happily ever after, and that alone makes it worth watching.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
A chauvinistic architect is pressured into hiring a feminist as his assistant, and soon finds himself falling for her.
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean - which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.
An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.
Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
A depressed man moves back in with his parents following a recent heartbreak and finds himself with two women.
A baseball legend almost finished with his distinguished career at the age of forty has one last chance to prove who he is, what he is capable of, and win the heart of the woman he has loved for the past four years.
Carl Allen, a guy whose life is going nowhere, signs up for a self-help program based on one simple covenant: say yes to everything…and anything.
London publicist Helen, effortlessly slides between parallel storylines that show what happens when she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.
