Everything to Entertain You The Story of Video Headquarters 2023 - Movies (Jul 1st)
The Piper 2023 - Movies (Jun 30th)
Falling Like Snowflakes 2024 - Movies (Jun 30th)
May December 2023 - Movies (Jun 30th)
Reverse the Curse 2023 - Movies (Jun 30th)
Hoard 2023 - Movies (Jun 30th)
Grieve 2023 - Movies (Jun 30th)
Men Up 2023 - Movies (Jun 29th)
A Quiet Place Day One 2024 - Movies (Jun 29th)
Daddio 2024 - Movies (Jun 29th)
The Disruptors 2024 - Movies (Jun 29th)
Two Scoops of Italy 2024 - Movies (Jun 28th)
Chestnut 2023 - Movies (Jun 28th)
The Watchers 2024 - Movies (Jun 28th)
Cabrini 2024 - Movies (Jun 28th)
A Family Affair 2024 - Movies (Jun 28th)
Made in England The Films of Powell and Pressburger 2024 - Movies (Jun 28th)
In a Violent Nature 2024 - Movies (Jun 28th)
Fancy Dance 2023 - Movies (Jun 28th)
Eileen 2023 - Movies (Jun 27th)
AGGRO DR1FT 2023 - Movies (Jun 27th)
House of the Dragon - (Jul 1st)
House of the Dragon- The House that Dragons Built - (Jul 1st)
American Monster - (Jul 1st)
Glastonbury - (Jul 1st)
Naked and Afraid XL - (Jul 1st)
Love Island- Aftersun - (Jul 1st)
Love Island - (Jul 1st)
Saturday Kitchen Best Bites - (Jun 30th)
Lucky! - (Jun 30th)
MotoGP Unlimited - (Jun 30th)
Mayor of Kingstown - (Jun 30th)
Krempoli - A Place For Wild Children - (Jun 30th)
Happy to be Home with the Benkos - (Jun 30th)
Miss Night and Day - (Jun 30th)
My Adventures with Superman - (Jun 30th)
90 Day Fiance- Happily Ever After? - (Jun 30th)
Sunday Brunch - (Jun 30th)
Dream Home Australia - (Jun 30th)
Accident, Suicide or Murder - (Jun 30th)
Lakefront Luxury - (Jun 30th)
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.-Oxymoron
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.
The short film (conveyed in a parable-like story structure) follows a man devoted to himself and the blessings of his attributed god. He struggles to survive a primitive life and is forced to take action to ensure his own prosperity.
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…