Shiver Me Timbers 2025 - Movies (Apr 1st)
October 8 2025 - Movies (Apr 1st)
The Last Supper 2025 - Movies (Apr 1st)
The Actor 2025 - Movies (Apr 1st)
Black Bag 2025 - Movies (Apr 1st)
Opus 2025 - Movies (Apr 1st)
A Working Man 2025 - Movies (Mar 31st)
Mufasa The Lion King 2024 - Movies (Mar 31st)
The Killer Is Calling 2025 - Movies (Mar 31st)
Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
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Punt The Irish and The NFL 2025 - Movies (Mar 30th)
The Break-Up Club 2024 - Movies (Mar 30th)
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King of the Apocalypse 2025 - Movies (Mar 29th)
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Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Duchess 2024 - Movies (Mar 29th)
Confessions of Octomom - (Apr 1st)
Gypsy Rose- Life After Lock Up - (Apr 1st)
Beyond the Gates - (Apr 1st)
Extracted - (Apr 1st)
The Real Housewives of Sydney - (Apr 1st)
The Cook Up with Adam Liaw - (Apr 1st)
The Last Word with Lawrence ODonnell - (Apr 1st)
Below Deck Down Under - (Apr 1st)
Contraband- Seized at the Border - (Apr 1st)
Hollywood Demons - (Apr 1st)
Rescue- HI-Surf - (Apr 1st)
The One Show - (Apr 1st)
90 Day- The Last Resort Between the Sheets - (Apr 1st)
The Hunting Party - (Apr 1st)
NCIS - (Apr 1st)
Inside with Jen Psaki - (Apr 1st)
The Rachel Maddow Show - (Apr 1st)
Poppas House - (Apr 1st)
90 Day- The Last Resort - (Apr 1st)
Celtics City - (Apr 1st)
Part one of Satyajit Ray's trilogy introduces us to the poverty stricken family of the young "Apu" (Subir Banerjee). His family once had a guava orchard, but his poet and philosopher father "Harihar" (Kanu Bannerjee) had to trade that in to square up his profligate brother's debts. That now means that his mother "Sarbojaya" (Karuna Bannerjee) has to try to keep food on the table for them, his pilfering sister "Durga" (Uma Das Gupta) and their resident elderly aunt "Indir" (Chunibala Devi) - and that's not a task she relishes! With nothing much coming in, her's is the job of scraping together the means of buying food and living with the disdain of her neighbours. Finally, "Harihar" concludes that he must go and find work - so off he goes leaving the family to fend for themselves - and all of this with the monsoon season looming large over their dilapidated home. Being the first of a trilogy, this is much more of an establishing exercise - we get to meet the constituent parts of this happy but strained and frequently quarrelsome family; we see just how hand-to-mouth their existence is; we experience some of the culture of shame that is visited on those less fortunate - and we also get to appreciate the stoicism of a family with very little prospect of light at the end of their tunnel. What really adds richness to this story is the photography. It's so intimate in it's presentation. Everything here looks spontaneous and natural, the antics of the children - especially the fruit stealing sister; the boys playing and cavorting around. Even the constant bickering between aunt and mother comes across as entirely convincing. The jigsaw puzzle of his life is only gradually being put together, but you can sense that "Apu" is in for some adventures as he strives for a better life for him and his family, and even at a young age we all see his potential, and the potential for him to fail. I saw a 16mm print of this recently and though the subtitles had faded slightly, it was quite an astonishing production to watch and as an observation of subsistence life, it's really quite poignant.
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
In 1940, author Richard Wright turns to Pulitzer Prize-winning playwright Paul Green to help adapt his best-selling book, Native Son, into a Broadway play. Days from opening night, they differ over a single page of the script.
Kafka, an insurance worker gets embroiled in an underground group after a co-worker is murdered. The underground group is responsible for bombings all over town, attempting to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization and must confront them.
When shadowy U.S. intelligence agents blackmail a reformed computer hacker and his eccentric team of security experts into stealing a code-breaking 'black box' from a Soviet-funded genius, they uncover a bigger conspiracy. Now, he and his 'sneakers' must save themselves and the world economy by retrieving the box from their blackmailers.
Humiliated and down on his luck, a superintendent turns his life around when he decides to write a book.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears.
Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.