What Doesn't Kill You

Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…

A down and out professional tries and fails to commit suicide. He wanders the streets and bumps into the man who caused his hardships...

Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Struggling with the pressures of homophobia when her partner is taken away by a hateful mother, a young gay woman struggles to cope with the traumas and anxieties of her life. Her dreams descend, taking the shape of shadows which reach into her life.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A woman working as a cashier at an illegal gambling parlor pushes her luck by stealing money from gamblers as a way to pay off her own debts. When one gambler realizes he’s been cheated, he returns with murderous intent and the already dismal situation spirals out of control.

Sara helps her little brother Tomas to overcome his fear of the monster under the bed, but it is harder to protect him from his violent and authoritarian father.

It’s a Date is a culmination of his preoccupations, a weird but humanistic look at a couple on a first date. It seems to be going well until the man decides to really open up and get (sur)real.