Circus Lure

Happiness Ahead is a persumed lost 1928 silent film drama directed by William A. Seiter and starring Colleen Moore and then husband and wife Edmund Lowe and Lilyan Tashman.

Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.

Author Ramon Valentine lives in the slums looking for inspiration for his novel, but finds life threatening danger instead.

Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

Directed by Wallace Worsley.

20 two reels episodic dramatic serial now lost. (1) Liquor and the Law (1915); (2) The Tenement House Evil (1915); (3) The Traction Grab (1915); (4) The Power of the People (1916); (5) Grinding Life Down (1916); (6) The Railroad Monopoly (1916); (7) America Saved from War (1916); (8) Old King Coal (1916); (9) The Insurance Swindlers (1916); (10) The Harbor Transportation Trust (1916); (11) The Illegal Bucket Shops (1916); (12) The Milk Battle (1916); (13) The Powder Trust and the War (1916); (14) The Iron Ring (1916); (15) The Patent Medicine Danger (1916); (16) The Pirates of Finance (1916); (17) Queen of the Prophets (1916); (18) The Hidden City of Crime (1916); (19) The Photo Badger Game (1916); and (20) The Final Conquest (1916).

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.