Happiness Ahead

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

Lydia Jansen is happily married to a young customs inspector, but she harbors a dark secret. She is addicted to smoking opium or in slang parlance “hop.” To keep her secret, she willingly pays the blackmail her maid extorts from her having learned of Lydia’s habit through her own fiancée who is part of the ring importing the devil’s brew. Something unknown to all is that the operation is run by Lydia’s father an important politician in the city where this all occurs. As her husband’s investigation tightens the noose on the organization Lydia faces a crisis.

Giovanni Pallazzi, a former member of the Black Hand, an Italian criminal organization, comes to America with his blind daughter Lucia and prospers. Hearing of his success, his former associates demand that he aid in their support

Caroline Rogers, a spirited young girl with a taste for highly romantic novels, comes home from boarding school to attend her sister Ethel's wedding. Having read a particularly lurid novel entitled Twin Souls recently, she arrives at the rehearsal wearing a daring gown in the hope of ensnaring a "soul mate." Because of his poetic name, Caroline becomes involved with Reginald Van Alden, a married fortune-seeker. On the morning of the wedding, she abandons her old sweetheart, Bob Worth, to take a ride with Reginald, but when he takes her to a disreputable roadhouse, she escapes and then tries to commit suicide by drinking cologne.

Young Celeste Janvier ( Bessie Love ) lives in an East Side tenement with her immigrant grandfather, a humanitarian and socialist. Like her kindly grandfather, Celeste also has a kindhearted soul, and her friendly nature has earned her the nickname, " the little sister of everybody."

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.

The lives of a poor orphan and a rich kleptomaniac intertwine after the former is framed for a robbery by the latter.

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.

The owner of vast diamond mines, John Quelch is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds, he deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple. John and Margot fall in love, but she cancels their engagement when she learns of the "brutal" punishment of Jim Wingate for swallowing a diamond.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.