William S. Burroughs Birthday Bash

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

A child of the Beat Generation, Gérald Leblanc conjoined urban-ness and American-ness, wandering and belonging, far beyond the boundaries of taboo. In so doing, he helped propel Acadia into the modern era.

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

Howl is an homage to the reading rituals of the Beat poets, to Wholly Communion, to 1965, to Allen Ginsberg, to Jack Kerouac, to William Burroughs, to all those books that we believe to be published in heaven, and to all the restless spirits, from these lands. The film documents the translator of the poem Howl into Turkish, accompanied by a musician.

Jack Kerouac returns to earth as an angel with the goal of changing the life of a struggling writer.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Big Sur is a film adaptation of the Jack Kerouac autobiographical novel of the same name.

Beat poem parable to black youth.

A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.