Y las chimeneas decidieron escapar

From Angry Bible Thumpers to Infamous Hall H Lines, This is an Appropriated Video Essay Covering the Negative Changes that San Diego Comic Con Has Gone Through This Passed Decade Alone.

10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.

A mockumentary about four people and their idiosyncratic ways of saving the planet.

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

Shows a market where puppies are bought and sold. Several puppies are placed in a cloth bag, and they struggle to break free. One bites through the bag, pokes his head, and is observed in his triumph and then confusion.

In the Douro, five winemakers get together with the aim of exporting Portuguese wine to the world.

This is the story of Vasiliy Ilyin, a retired farmer from the village of Ryshkovo, on a first time journey to see the world, New York, the ocean, and a cover photoshoot for Esquire Russia

A cinematic haiku by Chris Marker.

A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.

A cinematic haiku by Chris Marker.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.