Dont Tell Mom the Babysitters Dead 2024 - Movies (May 18th)
The Strangers Chapter 1 2024 - Movies (May 17th)
IF 2024 - Movies (May 17th)
Pandemonium 2023 - Movies (May 17th)
Nightwatch Demons Are Forever 2023 - Movies (May 17th)
Bad Romance The Vicky White Story 2023 - Movies (May 17th)
Faceless After Dark 2023 - Movies (May 17th)
The American Friend 2023 - Movies (May 17th)
You Cant Run Forever 2024 - Movies (May 17th)
End of the Rope 2023 - Movies (May 17th)
Thelma the Unicorn 2024 - Movies (May 17th)
Power 2024 - Movies (May 17th)
Mothers Instinct 2024 - Movies (May 17th)
Challengers 2024 - Movies (May 17th)
The Dead Dont Hurt 2023 - Movies (May 16th)
The Palace 2023 - Movies (May 16th)
Baghead 2023 - Movies (May 16th)
The Fall Guy 2024 - Movies (May 16th)
The Blackwell Ghost 8 2024 - Movies (May 15th)
Wicked Little Letters 2023 - Movies (May 15th)
The Last Kumite 2024 - Movies (May 15th)
The 11th Hour with Stephanie Ruhle - (May 18th)
100 Days to Indy - (May 18th)
Accomplice to Murder - (May 18th)
Crime Beat - (May 18th)
Cesar Millan- Better Human, Better Dog - (May 18th)
The Never Ever Mets - (May 18th)
20/20 - (May 18th)
Gutfeld! - (May 18th)
Hannity - (May 18th)
The Five - (May 18th)
The Ingraham Angle - (May 18th)
Whos Talking to Chris Wallace? - (May 18th)
WWE NXT- Level Up - (May 18th)
Blue Bloods - (May 18th)
Fire Country - (May 18th)
The Last Word with Lawrence ODonnell - (May 18th)
On Patrol- Live - (May 18th)
S.W.A.T. - (May 18th)
Beachfront Bargain Hunt- Renovation - (May 18th)
Best Bite in Town - (May 18th)
The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.
A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.
In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.
Filmed during a media workshop for Syrian girls in Jordan's Za'atari Refugee Camp, 17-year-old Khaldiya meditates on how the camp has opened up new horizons and given her a sense of courage that she lacked in Syria.
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.