Na odsiecz Wiedniowi

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.

A woman who works for a non-governmental organization (NGO) forms a special relationship with a young boy in war-torn Chechnya.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.

The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.