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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
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Through the Door 2024 - Movies (Mar 27th)
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A Decent Man - (Mar 28th)
Know Where to Hide - Wie niet weg is… - (Mar 28th)
Next Level Chef - (Mar 28th)
When No One Sees Us - (Mar 28th)
The Last Word with Lawrence ODonnell - (Mar 28th)
TNA iMPACT - (Mar 28th)
Doctor Odyssey - (Mar 28th)
Bang Rak Soi 9/1 - (Mar 28th)
Yellowjackets - (Mar 28th)
Power Book III- Raising Kanan - (Mar 28th)
The Trades - (Mar 28th)
The Rachel Maddow Show - (Mar 28th)
Gardening Australia - (Mar 28th)
Tonight - (Mar 28th)
All In with Chris Hayes - (Mar 28th)
Deadline- White House - (Mar 28th)
Fight for Glory- 2024 World Series - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Dope Thief - (Mar 28th)
The Pitt - (Mar 28th)
As the documentary “Tax Me If You Can” explored, the tax shelter became one of corporate America’s biggest hidden profit centers in the 1990s and early 2000s. The General Accounting Office estimated that bogus tax shelters at the time cost the government more than $85 billion. Correspondent Hedrick Smith spoke with government officials, tax experts and industry insiders to expose these tax shelters. His reporting led him to some unexpected places — from the city of Dortmund, Germany, to the Cayman Islands. The documentary examined how difficult it was for the Internal Revenue Service to find tax shelters and how the tax shelter wave prompted a federal investigation. The ultimate victim in this scheme, experts in the documentary said, is the honest taxpayer who is left to make up what companies aren’t paying.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
A timely film exploring the confrontation between a feisty 92-year-old Scottish widow and her family and a billionaire trying to become the most powerful man in the world.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
A documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden manipulation and accumulation of gold and other forms of money.
David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.
How will history remember him? The honest politician who brought the left to power, the reliable plane tree of the state, the poet who adds elegance to politics? Or is it the stubborn, skeptical, lonely leader who hinders the unity of the left? How many people will remember the legend of Karaoğlan, which was written on the mountains and stones in the milestones of democracy? And how many of them will question the reasons for the rise from the top to the prison, from the prison to the top again, and then to be forgotten at the ballot box? How will Turkey remember a leader who left his mark in the last fifty years, a republican intellectual, the captain of the country's most critical days?