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I can see what When Evil Lurks is trying to achieve. Its an alternate take on reality, a horror infused, supernatural world, where demonic possession is an accepted occurrence. Its done convincingly, with an everyday vibe, where a possession event is akin to a serious crime or perhaps, a natural disaster. The problem is, the treatment is deeply, violently disturbing, to the point where you start to ask if this is, in fact, adding value as a creative work? Its a subjective point but I found this one too brutal and shocking, for me to really say I found it compelling. I think too, a more subtle approach could have been taken, with better results in terms of watch-ability. In summary, makes the outlandishly otherworldly everyday, in a convincing manner but the delivery is on the heavy handed side of horror, to say the least.
Really hits with the catholic horror hard. Fades, though. There's only so many demons before they don't matter. Really enjoyable for an hour...some people to chat with for the last leg of slaying would be ideal.
In the film "When Evil Lurks," I approached it with reservations, unsure of what to expect. The entire movie is presented in Spanish with subtitles, allowing me to follow the storyline. It unfolds as a Spanish take on the exorcism theme, reminiscent of "The Exorcist." However, instead of an exorcism, the focus is on Satan possessing bodies, moving from one to another after each host's death, always transferring to the person responsible for the previous death. The film's execution left much to be desired, lacking a coherent script and veering off in multiple directions. The actors did their best with the material provided, but the disjointed narrative made it challenging to anticipate the next plot development. A concerning moment arises when a child appears on screen completely naked, a gratuitous and unnecessary inclusion that crosses a line. Such a scene is unwarranted and inappropriate, detracting from the viewing experience and raising ethical concerns. Overall, "When Evil Lurks" fails to deliver a compelling and cohesive story, marred by questionable choices and a lack of narrative clarity. This misstep, especially involving a child actor, overshadows any potential the film may have had.
A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.
Larry Donner, an author with a cruel ex-wife, teaches a writing workshop in which one of his students, Owen, is fed up with his domineering mother. When Owen watches a Hitchcock classic that seems to mirror his own life, he decides to put the movie's plot into action and offers to kill Larry's ex-wife, if Larry promises to murder his mom. Before Larry gets a chance to react to the plan, it seems that Owen has already set things in motion.
A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to kill people who were in fact "demons."
As a seasoned homicide detective, Thomas Craven has seen the bleakest side of humanity. But nothing prepares him for the toughest investigation of his life: the search for his only daughter Emma's killer. Now, he is on a personal mission to uncover the disturbing secrets surrounding her murder, including corporate corruption, government collusion and Emma's own mysterious life.
A group of five college graduates rent a cabin in the woods and begin to fall victim to a horrifying flesh-eating virus, which attracts the unwanted attention of the homicidal locals.
A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.
Pinhead is set loose on the sinful streets of New York City to create chaos with a fresh cadre of Cenobitic kin.
Bizarre nightmares plague Regan MacNeil four years after her possession and exorcism. Has the demon returned? And if so, can the combined faith and knowledge of a Vatican investigator and a research specialist free her from its grasp?
On the fifteenth anniversary of the exorcism that claimed Father Damien Karras' life, Police Lieutenant Kinderman's world is once again shattered when a boy is found decapitated and savagely crucified.
Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.
A couple’s dream of a perfect child spirals into a nightmare as soon as the baby is born. The mother Saga thinks there’s something seriously wrong with the child, who drains her of all energy and sucks blood from her breasts. While their marriage strains, Saga’s husband Jon tries to pretend he doesn’t see the problems, and Saga lets herself start hating the monster she gave birth to. Maybe the only way out is to become a monster herself.
