L'Orchestre Métropolitain sur le Mont-Royal

Fey: Primera Fila is the Acoustic studio album by Mexican pop singer Fey. The live album, part of Sony's "Primera Fila" series, was shot and recorded in Mexico on June 22, 2012 in front of fans and special guests on an invite-only basis. The live album has new renditions of songs from her first three albums, as well as three new tracks. The album features a documentary of the process as well as a live video recording of the concert.

System of a Down at Cidade do Rock, Rio de Janeiro, Brazil on September 24, 2015. Setist: I-E-A-I-A-I-O / Suite-Pee (Incomplete) / Attack / Prison Song / Know / Aerials / Soldier Side - Intro / B.Y.O.B. / Soil / Darts / Radio/Video / Hypnotize / Temper / CUBErt / Needles / Deer Dance / Bounce / Suggestions / Psycho / Chop Suey! / Lonely Day / Question! / Lost in Hollywood / Vicinity of Obscenity / Forest / Cigaro / Toxicity (with Chino Moreno) / Sugar

The super guitarist Masayoshi Takanaka turns 70 and returns to Katsushika for the first time in four years!! In 2021, he celebrated the 50th anniversary of his debut, and his legendary live "Niji Densetsu Final" was a great success at the Budokan. This year, at his 70s, he is still running through the national tour, including a live show at Katsushika. Guitar freaks should not miss this show!

Recorded during their 2018 world tour, which features songs spanning their three EPs and solo acts from every member of the multi million selling group.

BLACKPINK in Kyocera Dome! The K-pop girl group had eight shows in three cities for their 2018 Japan arena tour, and became the first overseas girl group to hold a concert at Osaka's Kyocera Dome on December 24. A 50,000-strong audience filled the dome on Christmas Eve to see the girls perform fierce hits like Boombayah, Whistle and DDU-DU-DDU-DU and special solo stages.

Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.

Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family.

The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.

This Royal Albert Hall Concert, presented now on DVD, was also available online through live streaming. It is difficult to remember the last time any concert gave me so much pleasure and insight, and sent my soul soaring to such heights of joy. So many beloved piano pieces, so magnificently performed! Valentina has scaled the heights of technique, knocking off 'impossible' Liszt pieces like a stroll in the park. She melds with the piano with such assured ease that she can milk every piece for musical content and subtlety, reminding us of the great Hoffman, who also loved to play each piece a little differently every time, tapping deeply into the inexhaustible potential of a great composition, perpetually finding fresh ideas and magnificent new interpretations.

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’