Istra

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

A short documentary that tells the story of the causes and effects of the bombings of Hiroshima and Nagasaki. Utilizing audio recreations and rare photographs and videos, including the use of U.S. Military training reels to visually display the bombing of Hiroshima, this story is told like you have never seen it before.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

June 14, 1940. The German Army marches into Paris. France is an occupied country. Through exclusive amateur footage, personal stories, and popular songs from the time, this fi lm recounts life with the enemy during the occupation, as seen by the French... and the Germans! Despite the Nazis and the troubled war times, day-to-day life in occupied France went on. People learnt to live with the rationing, the cues, the curfew... Many try to forget the hard times, mainly thanks to the movies in which big stars provide a little dream and lead a privileged life. These stars don't actually collaborate, butadapt and give the impression of normal life during the war. After all, is it necessarily shameful to shake the hand of an enemy?

The film is a search for Peter Gasparik's grandfather Stefan Truban, who was a resistance fighter and concealed the persecuted, defectors and Jews during World War II. Through private history we get to global history.