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You won your way, what difference does it make? Gun for a Coward is directed by Abner Biberman and written by R. Wright Campbell. It stars Fred MacMurray, Jeffrey Hunter, Janice Rule, Chill Wills, Dean Stockwell and Josephine Hutchinson. Out of Universal International Pictures, film is a CinemaScope production in Eastman Color, with photography by George Robinson and music by Joseph Gershenson. Three brothers must contend with big personal differences whilst also trying to see off a band of cattle rustlers who are pillaging from their herd. But you don't cover me with your shadow. So many good things involved with this production it feels unfair to label it as dull, but dull is ultimately how it ends up being after film has run its course. The cast assembled is a strong one, the dialogue is sharp and well written, and the location photography out of Vasquez Rocks Natural Area Park is most pleasing. Prolific Western scorer Gershenson also produces a highly effective score, very reflective of the characters' stuttering emotions. But with a running time of almost 90 minutes the makers have over stretched the family feud premise by having too many periods of story inactivity. Biggest problem of all is that the coward of the title, Bless' (Hunter) back story is never fully formed, adding little snippets here and there doesn't do it justice. For instance: it's only late in the day that we find his reputation is tarnished outside of his family, the whole damn town are down on him. A better director than jobber for hire Biberman would surely have got more from this tortured character axis. Stockwell and Hunter are not the best of actors all told, but they fit right into the roles of two brothers made of different stuff. Stockwell does a good turn as the young and fearless one, and Hunter as the middle brother of the three effectively conveys the psychological pangs that sting him during the plot. The elder brother is played by MacMurray, who offers up a weary surrogate father performance for this fatherless family. It's the death of the father that is the catalyst for Hunter's problems. While Hutchinson adds a bit of class as the fretful mother and Wills is always good value for money. Rule gets the short straw from the screenplay, in what is a critical (two fold) role, she isn't asked to do anything other than look pretty and say soothing words to tortured Bless. The action is competently constructed, though the art of throwing a convincing punch is sadly missing here. And the ending, whilst being predictable (no shades of the far superior Saddle the Wind here), has enough warmth about it for those not in need of blackness in their Western viewings. By definition it is very much a B movie in the truest sense of the term, but there is good in the production, even if it is undone by slackness elsewhere. 5.5/10
This western features a singing cowboy, a brave hero, and a bumbling sidekick who band together to defeat a ruthless range boss.
It's World War 2 and saboteurs are out to destroy the ranchers food crop. Steve Travis and sidekick Cannonball have been called in to investigate. Avoiding the attempts on his life by the gang, Steve uses a pair of eyeglasses to discover their leader, a supposedly deaf mute shoe repairman.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Rangers Tex Wyatt and Jim Steele arrive in Gabe's Crossing, NM, to capture Bent Yeager, a rancher accused of sabotaging the progress of the railroad.
When his best friend dies of an heart attack due to permanent stress at work, the Japanese businessman Yutaka Soto quits and fulfills himself a dream: he buys a ranch in Montana to live on. However the ranch turns out to be due for demolition and the welcome by the people is less than friendly: Hotel owner Cord Wingate wanted the ranch himself and now sabotages Yutaka. Only veterinarian Jessy and an old Cowboy help him. - Tom Zoerner
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Tim Hart (Tim McCoy), a former Texas Ranger, comes out of retirement to avenge the death of Lightnin' Ed (Frank LaRue), his foster father, who had been sent to Rainbow's End, to investigate a series of train robberies. He senses that George Johnson (Walter McGrail) and his henchman, Speck (Bob Kortman), head the robbery gang, especially after Speck makes an ambush attempt on his life.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
