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The Djinn is yet another reimagining of the old 'careful what you wish for, you just might get it' (or, as Wilde wrote, “There are only two tragedies in this world. One is not getting what you want and the other is getting it") that is best described as Home Alone-meets-Wishmaster. Dylan Jacobs (Ezra Dewey) is a mute, asthmatic boy (which means sooner or later he will find himself scrambling frantically for his inhaler) who wishes he could talk; what are the odds he will find a genie, and let alone one who understands sign language? Very good, apparently. Dylan finds a dusty mirror and an old book containing instructions on summoning a genie. One hour before midnight, the summoner must place three drops of blood on the wax of a lit candle and make his wish in front of a mirror; the genie will grant the wish at midnight. Since it's not even half past nine, we’re forced to endure a musical interlude that contributes nothing except helping the movie barely limp past the 80-minute mark. Dylan forgets to read the fine print, though, and owing to this oversight is haunted by an evil spirit that can take the form of dead people. All of this takes place, by the way, in 1989. Why? Who knows? Maybe co-directors and co-writers David Charbonier and Justin Powell wanted to render Dylan unable to use modern technology to call for help, but since the genie magically precludes Dylan from escaping the house or contacting anyone, one must wonder how exactly an iPad would be of any assistance.
A master occultist revives her recently deceased father in order to take care of some unfinished business. But shortcuts in the resurrection process result in his needing to accomplish more than merely his own objectives.
In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor.
On 28 December 1999, the citizens of New York City are getting ready for the turn of the millennium. However, Satan decides to crash the party by coming to the city and searching for his chosen bride — a 20-year-old woman named Christine York. The world will end, and the only hope lies within an atheist named Jericho Cane.
Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.
Tina Shepard, a telekinetic teenage girl, accidentally unchains Jason from his watery grave, allowing him to go on another killing spree in the area.
Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
Jason Voorhees is tracked down and blown to bits by a special FBI task force, reborn with the bone-chilling ability to assume the identity of anyone he touches.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street - where the nightmares become reality.
Years before Father Merrin helped save Regan MacNeil’s soul, he first encounters the demon Pazuzu in East Africa.
Explores the Spanish origins of the character's story, where he is a tuberculosis patient from Almeria who will do anything to get well, even consuming the blood of the kids he kidnaps in a sack.