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Eva Paus Asian Kitchen - (Mar 4th)
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Australian Idol - (Mar 4th)
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Escape to the Country - (Mar 4th)
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The Real Housewives of Sydney - (Mar 4th)
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The 11th Hour with Stephanie Ruhle - (Mar 4th)
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Australian Survivor - (Mar 4th)
Watch What Happens Live with Andy Cohen - (Mar 4th)
Piers Morgan Uncensored - (Mar 4th)
After Midnight - (Mar 4th)
The Voice - (Mar 4th)
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Great British Menu - (Mar 4th)
I enjoyed Luckiest Girl Alive, especially the directing, cinematography, and overall production quality. Visually, it’s really well done, and the way Mike Barker brought Ani’s world to life was impressive. The contrast between her seemingly perfect life and the darker, more haunting parts of her past was captured beautifully. That being said, the plot felt a bit too packed for me. It’s like they tried to cram too much into the runtime, which made the storyline feel rushed and kind of hectic at times. Some parts that could have been explored more deeply were glossed over, and it made the pacing feel uneven. It’s almost like they were trying to do too much at once. I also felt like the movie didn’t always let things sink in properly. Some of the more intense moments felt like they were brushed past too quickly, which took away from the emotional impact. It’s a shame because there are some powerful themes in there that could’ve hit harder if they’d had more room to breathe. Overall, though, I still enjoyed it. Mila Kunis gave a great performance, and the film does a solid job at keeping you engaged, even if it doesn’t quite stick the landing in terms of pacing or depth.
Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
Seeking revenge for a wrecked home life and a rape, psychotic young beauty Ellen poses as a maid to infiltrate the home of unhappy married couple Bob and Fanny and their alienated teen daughter, Tisa. Suicide attempts, seduction and murder follow in what sounds an awful lot like the Indonesian version of Poison Ivy (1992).
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
When a tech blogger lands an interview with a tech guru and stops an attack on him, he finds a mysterious ring that takes him back 57 seconds into the past.
From Executive Producer Sheila Houlahan, 'Night, Mother' is a hybrid Twitch film that interweaves pre-filmed segments with live-streamed performance. Reset amidst the COVID-19 pandemic, this new adaptation of the Pulitzer Prize-winning play explores the concentric circles of isolation, grief, and suicide. During a Zoom call, Jessie (Sheila Houlahan) confesses to her mother Thelma (Ellen McLain) that she plans to commit suicide within the hour. 'Night, Mother' portrays a poignant and haunting picture of the current state of mental health care in America.
An amateur camper stumbles across a kidnapping gone wrong, a jailhouse rendezvous, a double-cross, or a revenge plot, depending on which desperate character is misinterpreting the story - a puzzle thrill-ride told with no dialogue.