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Pretty interesting and unique horror movie which is rare nowadays. But ending is confusing and sadly we don't have clear answer from the creators to explain this movie.
Never Let Go is a gripping survival thriller directed by Alexandre Aja that combines horror elements with intense family dynamics. My experience watching the film was both engaging and unsettling, as it effectively builds tension throughout. The story revolves around a mother and her twin sons who must defend themselves against an unspeakable evil threatening their home. The atmosphere is haunting, with stunning visuals that enhance the sense of dread. Aja's direction creates an unnerving world that kept me on the edge of my seat. While the performances are strong, particularly from the lead actress, I felt that the film struggled in its third act, where some of the tension dissipated and the plot became somewhat predictable. Despite this, the emotional core of the story highlighting the bond between mother and children resonated with me. Overall, Never Let Go offers a compelling mix of horror and drama, making it a worthwhile watch for fans of the genre, even if it doesn't fully capitalize on its intriguing premise. It left me reflecting on the lengths one would go to protect their loved ones. If you liked my experience, then check out the Latest Movie Reviews
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Abby awakens to find herself trapped inside a crate, with unknown figures outside and her only hope is to find a means of escape.
The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.
After a series of unexpected UFO crash landings on the planet Earth, a large portion of life slowly and mysteriously went extinct. We follow a man that struggles for survival, as he gathers items needed for the impending winter. Outside of personal video logs and the philosophical ramblings of a former human survivor, the man seems to wander the world without contact from other humans.
After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.
A group of scientists are on an expedition to find the fruit of a legendary tree which has the ability to cure any diseases.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
