Fittest on Earth Final Showdown in Madtown 2024 - Movies (Jan 2nd)
The Mountain Within Me 2024 - Movies (Jan 2nd)
Chasing Amazing Winter Waves 2024 - Movies (Jan 2nd)
No Hamburg No Beatles 2024 - Movies (Jan 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Kevin James Doyle Diary of a Bald Kid 2025 - Movies (Jan 1st)
Young Werther 2024 - Movies (Jan 1st)
A Flash of Beauty Paranormal Bigfoot 2024 - Movies (Jan 1st)
Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
Dream Team 2024 - Movies (Jan 1st)
A Different Man 2024 - Movies (Jan 1st)
Dont Die The Man Who Wants to Live Forever 2025 - Movies (Jan 1st)
Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Avicii - My Last Show 2024 - Movies (Dec 31st)
The Beat with Ari Melber - (Jan 2nd)
The Chase - (Jan 2nd)
Richard Osmans House of Games - (Jan 2nd)
University Challenge - (Jan 2nd)
Deadline- White House - (Jan 2nd)
The Bold and the Beautiful - (Jan 2nd)
Katy Tur Reports - (Jan 2nd)
Chris Jansing Reports - (Jan 2nd)
All Elite Wrestling- Dynamite - (Jan 2nd)
Cunk and Other Humans on 2019 - (Jan 2nd)
Andrea Mitchell Reports - (Jan 2nd)
New Years Eve Live- Nashvilles Big Bash - (Jan 2nd)
All the Queens Men - (Jan 2nd)
Vera - (Jan 2nd)
Mrs Browns Boys - (Jan 2nd)
The Chase Australia - (Jan 2nd)
Dick Clarks New Years Rockin Eve with Ryan Seacrest - (Jan 2nd)
Homicide Squad New Orleans - (Jan 2nd)
The First 48 - (Jan 2nd)
Letters and Numbers - (Jan 2nd)
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.
When the US Navy fleet docks at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.
Jerry Randolph is an inveterate and obnoxious practical joker. Things take a serious turn when it looks as though Jerry's latest prank has resulted in the death of his best friend.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn't met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
Susan Kent, hoping to establish herself as a song-plugger, tries to obtain a second song from a young songwriter, Johnny Crane, after his first song becomes a hit. While pursuing her objective, she falls in love with Johnny, and lands in jail, but she acquires the song, the job, and Johnny.
British secret agent 007½ is sent to Rio de Janeiro to recover the plans stolen from a new metal alloy. His contact is a taxi driver, who ends up being murdered by enemy agents.
Set in 1952, this musical thriller is what happens when a traveling salesman shows up on the doorstep of a dying old man and can't contain the song within his heart. A dark riff on a classic musical.
The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.