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MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Spin Me Round is purposefully wacky and extremely absurd, ultimately going way over the fine line between "it's so ridiculous that it's fun" and the growing annoyance at the amount of cringe displayed on the screen each minute. Despite excellent performances by most of the cast - Alison Brie is exceptional - the predictable, frustratingly incoherent screenplay lacks the necessary comedic value to be considered "dumb fun". Aubrey Plaza is criminally underused - marketing campaign is misleading - as are countless storylines that are forgotten, ignored, or sabotaged by poor writing. One of the worst movies of the year." Rating: D-
Amber (Alison Brier) is nominally a manager at Italian food restaurant Tuscan Grove. We’re told she has "run this place like a perfectly run ship" for "nine years." We have to take this information at face value because we never see her running anything, perfectly or otherwise. This is a shame because, as the unerring Roger Ebert once pointed out, actual work is more interesting than most plots; accordingly, a film about the actual inner workings of a restaurant would be much more interesting than Spin Me Round’s plot. Did I say 'would be'? Scratch that; what I really meant is that a film about the actual inner workings of a restaurant is much more interesting than Spin Me Round’s plot. Take for instance British drama Boiling Point; it’s not perfect, but it’s honest (honesty and originality being the two most important qualities in a work of art ) — it puts its money where its mouth is, talking the talk as well as walking the walk. Spin Me Round, on the other hand, is full of it. It reminds me of The Lovebirds (and, by extension, Date Night) in its belief that comedy can only stem from implausible, outrageous situations. Now, I’m not saying that’s not possible, but think of the phrase 'it’s funny because it’s true' — it’s a cliché, sure, but for good reason. Alison Brie is just too good for this crap. She’s not just a cute little thing; she’s a talented, daring performer (consider Horse Girl, The Rental). Co-stars Molly Shannon, Aubrey Plaza, Zach Woods (the entire cast for that matter) are nowhere near Brie’s league; the question is, then, why is she slumming it with them?
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video-game championship.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Gib, a beer-guzzling slob, and Alison, an uptight Ivy-Leaguer, are an unlikely duo stuck together on a cross-country trip during Christmas break. At first they get on each other's nerves but, as time passes, they find their divergent natures complement each other. Now they need to realize what they've already found before it's too late.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
In 1930s fascist Italy, adolescent Luca just lost his mother. His father, a callous businessman, sends him to be taken care of by British expatriate Mary Wallace. Mary and her cultured friends - including artist Arabella, young widow Elsa, and archaeologist Georgie - keep a watchful eye over the boy. But the women's cultivated lives take a dramatic turn when Allied forces declare war on Mussolini.
In a seaside California town, best friends Mac and Nick are on opposite sides of the law. Mac is a former drug dealer trying to clean up his act, while Nick is a high-profile detective trying to take down a Mexican drug lord named Carlos. Soon Nick's loyalties are put to the test when he begins an affair with restaurateur Jo Ann - a love interest of Mac's - unwittingly leading his friend into a police-orchestrated trap.