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In a word... boring? These '365 Days' film are many a thing, but boring they are usually not - at least in the traditional sense. 'The Next 365 Days' kinda is, especially the last 30-40 minutes. Across the whole run time, I think there's less sex than usual - that's not to say there isn't sex, there's plenty, but it seemed slightly less constant. The only pluses, albeit very minor ones, I have are basically the same as before: it uses decent music and has some solid shots spattered in there. They remain pointless in their existence and very much overstay their welcome, yet I kinda couldn't not watch them. What are the odds on more sequels? There is no reason to continue the 'story', yet that hasn't exactly stopped Netflix before... has it? This one does end with something that feels like a final conclusion though, with no cliffhanger in sight, so we'll see.
If I were in the mood to watch adult content, Netflix would definitely not be my first choice. The movie I stumbled upon was a total disaster, making me extremely uncomfortable, especially when children unexpectedly walked into the room. It was a messy experience that I strongly advise against. "365 Days" seems to be all about sex and trying to engage the audience solely on that basis. The sequel follows the same pattern, and both films are filled with excessive plot holes, acting issues, and seem to lack a meaningful storyline. It feels like they are veering towards the wrong direction, almost resembling pornography rather than a film with substance. Despite being somewhat enjoyable, these movies left me questioning why they were even made. I only watched the sequel because I had seen the first one and felt compelled to review both at the same time, even though I found them both to be quite terrible.
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.
G-Man Jeff Crane poses as a crook to infiltrate the notorious Purple Gang, a band of hoodlums which preys upon other hoodlums. Orchestrating the jailbreak of the gang's leader, Crane joins him in a Dillinger-like flight across the country.
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.
A look at the life of photographer Robert Mapplethorpe from his rise to fame in the 1970s to his untimely death in 1989.
Costantino and Daniele are two friends which have very success with girls. Their wish is to work in the show business and they can achieve their goal when meet Valeria, top model and actress, who offers both guys the chance they are looking for: meet Mr. Giampalmi, an important producer. But the producer is Valeria's father who wants the guys to be cheated...
After having a close call performing self-bondage, Jan Collins, a wealthy divorced woman, goes to a discreet wish fulfillment service. After agreeing to their terms of service, she's blindfolded, taken to a warehouse, and chained up to become the submissive slave of a blonde dominatrix. Her new mistress might have more evil plans in her mind for her though.
Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.
In this MGM Crime Does Not Pay series short, a criminal idolizes the life of a famous gangster - unaware that his hero met a tragic end.
Love never hurt so good for two co-workers who enter a contractual relationship as partners in consensual play, pleasure and pain.