Branca de Neve

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.

Director of this movie gave an advertisement in many Yugoslav papers calling everybody who wants to act in movie regardless of age, look or profession to reply. From 7000 arrived letters, about 30 heroes were picked up for the movie and its story was made based on what they wished to play.

UUFO consists of 6 short chapters/stories. Each describes a memory. Dealing with conflicting interpretations of China from the 1960s onwards, UUFO contrasts past generations’ stories with contemporary perceptions. UUFO stands for Universal Unidentified Flying Object.

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.

A lucid dream turned nightmarish reality. A ship sinking into a world of fear. A short film that’s mostly puppetry by one of America's most prolific twentieth century artists.

The C-list TV actor Jonnie Zhang decides to change career as an estate agent. While preparing for the interview, he hires a cleaner to tidy up his long non-visited mansion. A cleaner receives a task to a vacant house, and she decides to stay over night realizing that the bus service has been suspended. Out of every clue hidden in the house, she fantasizes its whole family and secrets, along with her own previous life she comes across.

She plays an actress. He works as a filmmaker. We are making a film in Xining, Qinghai, China. She says that this is the furthest place that she's ever been from home. As days go by and under the pressure from the production, we start to wander on the border of life and fiction.

Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.