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The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
Reality of Wrestling - (Mar 28th)
Gogglebox Australia - (Mar 28th)
Tipping Point Australia - (Mar 28th)
The Chase Australia - (Mar 28th)
Salvage Hunters- The Restorers - (Mar 28th)
Selling Houses Australia - (Mar 28th)
New Zealand Today - (Mar 28th)
Deal or No Deal - (Mar 28th)
Salvage Hunters - (Mar 28th)
Loaded in Paradise - (Mar 28th)
The 11th Hour with Stephanie Ruhle - (Mar 28th)
Dateline- Secrets Uncovered - (Mar 28th)
The Cook Up with Adam Liaw - (Mar 28th)
The Ingraham Angle - (Mar 28th)
The Five - (Mar 28th)
Gutfeld! - (Mar 28th)
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All In with Chris Hayes - (Mar 28th)
The Words obliquely poses the question, what would have happened if someone had found the suitcase full of Papa Hem’s manuscripts that Hadley lost at the Gare de Lyon, and published the con-tent as his own work? Unfortunately, the answer is: not much. The problem, or one of them, is that the movie establishes too long a period of time between the loss of the manuscript — shortly after the end of WWI — and its publishing — presumably, the then-present day. As we all know, Hemingway eventually got over the incident and went on to become arguably the greatest author of the 20th century, essentially rendering the film’s premise moot. Co-directors Brian Klugman and Lee Sternthal’s script, however, conveniently has its homologous character, played by Ben Barnes as a Young Man and Jeremy Irons as an old nurseryman, give up writing forever following his soon-to-be ex-wife’s misplacement of his text. Needless to say, this is the least hemingwayesque thing to have done. Here’s another couple of problems. Wannabe writer Rory Jansen (Bradley Cooper) finds the briefcase in an antiques store in Paris, and buys it; lo and behold, not only is the manuscript still inside, un-touched — from the Gare de Lyon in the 1920s to an antiques shop in the 2010s, the briefcase sure-ly must have exchanged hands often (now, there’s you film), and yet it didn’t occur to anyone to rifle through it on the odd chance that it might contain something of value —, but Rory actually leaves it untouched ("He retyped every word as it was written on those pages. He didn't change a pe-riod, a comma, or even correct the spelling mistakes"), which doesn’t stop from going directly to the printing press. It’s at this point that one yearns for a movie like Genius, about famed editor Max Perkins — who worked with the likes of Scott Fitzgerald, Thomas Wolfe, and Hem himself; even an Ernest Hemingway at the peak of his powers wouldn’t crap out a best-seller just like that, and it certainly wouldn’t hit bookstore shelves without undergoing extensive rewrites and editing work. But I digress. The Old Man (who, again, lacks the testicular fortitude of both Papa and the character to which his moniker is a reference) recognizes his work and confronts Rory — but don’t expect anything along the lines of Secret Window; the Old Man "just thought [Rory] should know the story behind these stories in case anyone was to ask." This comes right after the Old Man admits "I don't know how you did it. To be brutally honest, I don't care." But if he doesn’t care, and he clearly ne-ver did, why should we? Why even bother? The whole thing becomes even less urgen when we consider that the Old Man’s tale is only a story within Rory’s story, which in turn is a story within another story: the latest book by novelist Clay Hammond (Dennis Quaid), who is discussing it with literary groupie Daniella (Olivia Wilde). Enough to make you wonder if there’s a point to any of this drivel, and if so, what the hell it is. PS. That Rory’s adventure is a fictional yarn — which might be based on events in Hammond’s life, and then again it might not — could explain that he and the Old Man live in a world where Hemingway existed (a copy of The Sun Also Rises makes a cameo, being read by the Young Man), but neither ever stops to consider for the briefest moment that their little mix-up is eerily similar to one of the best known anecdotes in Western literature.
Talkative, hyperactive young drifter Ville Alfa goes around Helsinki, basically trying to borrow money from friends and strangers by means of an incessant delivery of quirky and snappy quasi-intellectual lines and fabricated excuses.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
As novelist Jovana Fey attempts to check into the first hotel of her 3-week European book tour, she learns that her publisher has gone bankrupt. Penniless and stranded, she decides to continue the tour regardless.
A family deals with the disease of sickle cell, in there youngest family member. In the midst of this trying time and prosperous time at moments, there are many other obstacles that come in to play, that test the very foundation of this family.
Bill, an idle, unemployed aspiring writer, walks the crowded streets of London following randomly chosen strangers, a seemingly innocent entertainment that becomes dangerous when he crosses paths with a mysterious character.
A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.
An aging Southern belle's preoccupation with her past and her dreams for her children's futures threaten to smother her painfully shy daughter and her aspiring writer son.
In the middle of this film, about the working class in pre-world war II Sweden, is Anders, who wishes to become an author, his father, who is a notorious dreamer and liar, and his mother, who struggles to keep their family alive.
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
Konoha Inoue and Tōko Amano, the Literary Girl, as she calls herself, are the sole members of their high school literature club. Their lives will be altered when Konoha's past, forgotten for a long time, reaches the present, involving them in a whirlwind of feelings where love, jealousy, revenge, remorse and forgiveness struggle to prevail.
Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.