Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
Dogs Behaving (Very) Badly - (Feb 25th)
Katy Tur Reports - (Feb 25th)
Dropout Presents - (Feb 25th)
Storyville - (Feb 25th)
Chris Jansing Reports - (Feb 25th)
Rogue Claimers - (Feb 25th)
Piers Morgan Uncensored - (Feb 25th)
Historys Most Shocking - (Feb 25th)
Neighborhood Wars - (Feb 25th)
Fugitive Hunters Mexico - (Feb 25th)
The Young and the Restless - (Feb 25th)
Son of a Critch - (Feb 25th)
Family Feud Canada - (Feb 25th)
Historys Greatest Mysteries - (Feb 25th)
I am disgusted about the mockery being made of the BLM movement and other equalities. The film is terrible and just because it is a black person belitteling the movement it seems to be allowed? It is possibly the worst film I have seem ain a long while. Basically a really bad reharsh of Big Momma's house but devoid of any type of comedy. Every second seems like the actors are trying to impersonate Martin Lawrence/ Eddie Murphy style with no success whatsoever. The intro starts with a man setting himself on fire with a barbecue in some sort of 19060's Marx brothers parody, and the outdated "'jokes' just keep going from there. The film even goes as far as making racist Alabama Jokes about incest. Which seem pathetic and archaic the the modern society of BLM. Almost goading places with inequatity such as Alabama to be more racist. A direct joke of BLM - Police relations and even a satirical parody of the Rosa Parks incident that launched equal rights movements. There is ever the introduction of Brendan O'Carroll for what seems to be the sole purpose of making outdated 'n*gger' and cotton picking jokes. The discrimination doesn't stop there with overtones of homophobia running throughout the beginning; a gay relationship getting no sympathy in comparison with the end of the straight relationship, seeming to question its equality or even its validity at all when the charachters return to refering to each other as 'friends' after the breakup. The film obviously tries to highlight modern sociological issues but constant overconcentration of skin colour and race seems more to mock the whole matter with the goal being to increase ineqaulity not diminish it. This film shouldn't have even been made this of the millenium. A definate push back to equality.
Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Nina is a high-strung New York actress and Anton is a struggling actor who wants to change gears and start a family. Their relaxing day starts off beautifully (and humorously), but they realize that their feelings may be at odds.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Sisters moving from Hunan to Hong Kong in the 1990s are faced with an identity crisis, poverty, and their father's drug addiction.
After the untimely death of their mother, twin brothers struggle over what to do with her belongings and discover a dark entity.
Rahabi, Markus, Hitu, Sayid and Tiara formed an acapella group named Rujak Acapella. Rahabi wants Rujak Acapella to succeed to paid his little sister, Rara's tuition college. The way opened when Aldi, a music poducer offered them a contract; with a condition Aisha must join Rujak Acapella. Rahabi finally must make a choice, whether he must chase his dream, with the risk he must lose everyone he cared about.
When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.
Debbie was already pregnant in Indonesia before she was married to Taiwan. Her useless husband has no doubt till Debbie’s Indonesian friend visit the family...
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
Little Chie knows that her sister, 3 year-old Itsuki, is unlike her. Chie’s uncle, Mitsuo, is also unusual. Suntanned and adorned in a rustic-looking floppy hat he couldn’t look less like Chie’s neat and respectable father. But Chie is overjoyed when Mitsuo walks back into their lives, having spent three years in a mental institution, and Mitsuo, overwhelmed with emotion, dotes on his two little nieces. This brief harmony is short lived. Frustrated by her little sister, Chie drops her, causing fatal injuries. Unable to allow his niece to take the blame, Mitsuo claims responsibility, shouldering all the condemnation that ensues.