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The Fantastic Four First Steps 2025 - Movies (Jul 23rd)
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Thunderbolts* 2025 - Movies (Jul 20th)
WWE Evolve - (Jul 24th)
The Briefing with Jen Psaki - (Jul 24th)
The Last Word with Lawrence ODonnell - (Jul 24th)
All Elite Wrestling- Dynamite - (Jul 24th)
Star Trek- Strange New Worlds - (Jul 24th)
Its Always Sunny in Philadelphia - (Jul 24th)
East Harbour Heroes - (Jul 24th)
POV - (Jul 24th)
Battle of the Generations - (Jul 24th)
On the Case with Paula Zahn - (Jul 24th)
Guys Grocery Games - (Jul 24th)
Holmes Family Rescue - (Jul 24th)
Shark Week - (Jul 24th)
Human Footprint - (Jul 24th)
All In with Chris Hayes - (Jul 24th)
The Real Housewives of Miami - (Jul 24th)
GRAND SUMO Highlights - (Jul 24th)
Celebrity IOU - (Jul 24th)
Dimension 20 - (Jul 24th)
Call the Bailiffs- Time to Pay Up - (Jul 24th)
I am disgusted about the mockery being made of the BLM movement and other equalities. The film is terrible and just because it is a black person belitteling the movement it seems to be allowed? It is possibly the worst film I have seem ain a long while. Basically a really bad reharsh of Big Momma's house but devoid of any type of comedy. Every second seems like the actors are trying to impersonate Martin Lawrence/ Eddie Murphy style with no success whatsoever. The intro starts with a man setting himself on fire with a barbecue in some sort of 19060's Marx brothers parody, and the outdated "'jokes' just keep going from there. The film even goes as far as making racist Alabama Jokes about incest. Which seem pathetic and archaic the the modern society of BLM. Almost goading places with inequatity such as Alabama to be more racist. A direct joke of BLM - Police relations and even a satirical parody of the Rosa Parks incident that launched equal rights movements. There is ever the introduction of Brendan O'Carroll for what seems to be the sole purpose of making outdated 'n*gger' and cotton picking jokes. The discrimination doesn't stop there with overtones of homophobia running throughout the beginning; a gay relationship getting no sympathy in comparison with the end of the straight relationship, seeming to question its equality or even its validity at all when the charachters return to refering to each other as 'friends' after the breakup. The film obviously tries to highlight modern sociological issues but constant overconcentration of skin colour and race seems more to mock the whole matter with the goal being to increase ineqaulity not diminish it. This film shouldn't have even been made this of the millenium. A definate push back to equality.
Fahrad Kosrovi is a Tehran bookstore owner whose daughter Utab attends a secret university aligned with the Iranian Bahá’í spiritualist faith. After the bookstore is attacked, a hospitalized Utab meets a young Muslim neurologist, Dr. Sasan Naderi and they fall for one another. With a romance between a Muslim and a member of the Bahá’í faith opposed by both families, their relationship is also tested when Utab learns Sasan has plans to go to Germany and she is arrested, imprisoned and tortured for being a Baha’i. With Utab facing execution, both families must do all they can to secure her release, before it’s too late.
Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.
After a high-speed car chase, Madea winds up behind bars because her quick temper gets the best of her. Meanwhile, Assistant District Attorney Josh Hardaway lands a case that's too personal to handle: that of a young prostitute and former drug addict named Candace, also a childhood friend. When Candace winds up in jail, Madea takes the young woman under her protective wing.
Noé comes into sixth grade at the same time he discovers a new city and a new house where he has just moved with his father, Marc. Coached by him, Noé takes intensive training of combat sport. And Mark does not hesitate to put him in a situation of attack. They are in danger, he must be prepared to respond to any aggression. While keeping the secret of his "double" life, Noé has to learn how to find a place in his new college. He becomes friend with Marine, a young girl full of energy. Noé discovers a world whose vision was shaped by his father so far. A father so near and yet so mysterious. Between them there is a history of complicity and confrontation.
Mangalya Bhagyam is a 1974 Telugu family-drama film directed and produced by B. Padmanabham. The film starred Bhanumathi, Jayanthi, and Subha, and Sreedhar in the lead roles. M. Muthu composed the film's songs.
Lidia and her father, Pablo, return to the family lighthouse after her mother’s death. Pablo, aware of Lidia's fragile emotional balance, worries for a possible relapse after her suicide attempt. Lidia, annoyed by her father's lack of trust, will discover that something’s not right at the Lighthouse, and that danger awaits for them if they do not find out the truth.
A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.
A man stipulates a unique condition in his will to get his son married to the girl of his choice, but he is murdered on the same night he drafts the will.
Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the competitive training program, she must leave her loved ones behind and face this new cutthroat world alone. Paige's journey pushes her to dig deep and ultimately prove to the world that what makes her different is the very thing that can make her a star.
Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.
Emma approaches adulthood, she tries to live an ordinary life and keep up to her late mothers expectations. However her anxiety weighs over her, stopping her from enjoying the last few youthful years.