とうきょう

A particular day of a samurai

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

Short film by Mary Ellen Bute

Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.

One room, two half bodies, a silent relationship.

A lucid dream turned nightmarish reality. A ship sinking into a world of fear. A short film that’s mostly puppetry by one of America's most prolific twentieth century artists.

Music by Dick Connette from his album, Too Sad for the Public Vol. 1: Oysters Ice Cream Lemonade. Suzzy Roche sings the vocal. Dick’s lyrics were inspired by the reknowned photography book, Wisconsin Death Trip.

In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

The poet's dreams a maiden's bubbles through edifices of forest and eclectic contagion.

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.