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Sci-fi releases that attempt to do something more than the minimum of what’s typically expected of them are to be admired for their ambition and creativity. That’s especially true when they seek to fuse their subjects and storylines with material drawn from other genres. However, to achieve success at that, the filmmakers behind these projects need to be very precise and diligent in coming up with a mix that works, and, sadly, that’s where this offering fails – not by much, mind you, but just enough to characterize it as a well-intentioned near miss. The film follows the diverse, often-surreal experiences of an astronaut (Casey Affleck) on a daring, cutting-edge mission to the Saturnian moon Titan, one that’s to be reached via a gravitational slingshot effect around Jupiter that will propel the craft to its destination at an accelerated speed. That consideration aside, though, the journey is nevertheless a lengthy one, requiring the protagonist and his crew mates (Laurence Fishburne, Tomer Capone) to be placed in drug-induced hibernation for vast stretches of the trip, a tricky proposition given the potential side effects of these powerful substances. This blend of story elements thus sets up the characters for an odyssey (ironically, the name of their ship) fraught with strange dreams, hallucinations and other unexpected developments, particularly when the spacecraft is mysteriously damaged, placing completion of the mission in jeopardy and affecting the psychological stability of the crew. Matters become further complicated when our hero begins having visions of his romantic interest (and one of the ship’s designers) (Emily Beecham) aboard the craft. So what is exactly going on here? That’s what director Mikael Hafstrom seeks to explain, though it’s far from an easy task. While the picture has its moments of intelligence and even poetic insights, it nevertheless struggles with a narrative and screenplay that become a little too convoluted for their own good. The writing, unfortunately, isn’t completely capable of fulfilling its intent, often taking the long way around to connect the dots and involving material that could have used some cleaning up to attain its goal (such as (ironically enough) using some “slingshot” shortcuts to move the story along instead of getting bogged down in plodding, elaborate attempts at explanation). Some will also note the many thematic similarities between this offering and “Spaceman,” released earlier this year (though, admittedly, there are enough distinct tonal differences and plot devices to adequately distinguish the two films and keep them from being labeled copycats). And then rhere’s the production’s tendency to push the limits of appropriate on-screen violence, verging on becoming a little too gratuitous though never actually crossing the line of acceptability (despite coming precariously close on occasion). Regrettably, these shortcomings detract somewhat from some of the picture’s genuinely fine attributes, such as some gorgeous special effects, a simple but smart production design, solid performances and a catchy soundtrack. It’s truly a shame that those elements noted above don’t match the level of these qualities; had “Slingshot” done so, this would have been a stellar release in the same vein as offerings like “Solaris” (2002) and “2001: A Space Odyssey” (1968) instead of becoming a largely forgettable sci-fi also-ran, a destiny with which it’s ultimately likely to be saddled.
In the mesmerizing thriller "Slingshot," viewers are taken on a gripping journey through the vast expanse of space and time. Casey Affleck stars as John, a character who finds himself trapped in the depths of space, leading to a series of unexpected twists and turns that keep audiences on the edge of their seats. While the film may have moments that captivate and intrigue, there are also instances where the pace slows and boredom may creep in. However, as the third act unfolds, the movie truly takes flight, delivering an exhilarating and unforgettable experience that makes the initial dryness worth enduring. Throughout the film, viewers are kept guessing and questioning the fates of characters like John, Nash, and Frank, creating a sense of anticipation and curiosity that drives the narrative forward. Lawrence Fishburne shines as the formidable antagonist, bringing a menacing intensity to his role that adds depth to the story. Meanwhile, Casey Affleck delivers a standout performance that solidifies his place as a talented actor. While the first act may feel lackluster at times, "Slingshot" is a film that is best enjoyed through streaming platforms, rather than in theaters. It's a journey worth embarking on for those who appreciate a thought-provoking and immersive cinematic experience.
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.
The year 2067. A spaceship travels through the menacing emptiness of space carrying thousands of plants and seeds from a dying Earth in search of an uncertain and very distant future.
The near future, a time when both hope and hardships drive humanity to look to the stars and beyond. While a mysterious phenomenon menaces to destroy life on planet Earth, astronaut Roy McBride undertakes a mission across the immensity of space and its many perils to uncover the truth about a lost expedition that decades before boldly faced emptiness and silence in search of the unknown.
In a white hot flash of light, and with no warning, one minute our moon is there, the next it's gone. Then, a second flash. And that's the last thing anyone on Earth can remember. 11 months later, it's not post- apocalyptic; it's apocalyptic as Earth has been sucked through a wormhole, literally ripping our planet from the inside out. With bizarre disasters and civilization collapsing, our heroes must find a way to survive and get to "safe ground" before it's too late.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.