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Faith in the Flames The Nichole Jolly Story 2025 - Movies (Jul 22nd)
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Deadline- White House - (Jul 23rd)
Love Island - (Jul 23rd)
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Piers Morgan Uncensored - (Jul 23rd)
The Tucker Carlson Show - (Jul 23rd)
Casualty 24/7- Every Second Counts - (Jul 23rd)
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Watch What Happens Live with Andy Cohen - (Jul 23rd)
All Elite Wrestling- Dynamite - (Jul 23rd)
All Elite Wrestling- Collision - (Jul 23rd)
The Black Dagger Brotherhood - (Jul 23rd)
Stranded on Honeymoon Island - (Jul 23rd)
The Chase Australia - (Jul 23rd)
The 11th Hour with Stephanie Ruhle - (Jul 23rd)
WWE NXT - (Jul 23rd)
Destination X - (Jul 23rd)
Americas Got Talent - (Jul 23rd)
Love and Hip Hop Atlanta - (Jul 23rd)
The Ultimate Fighter - (Jul 23rd)
I’m sorry to report that Alyssa Milano does not forego her long-standing ‘no nudity clause’ in Brazen — and I’m more sorry for her than for me (after all, I’ve seen Embrace of the Vampire), because that’s about the only thing that could save this mess. Milano is Grace Miller, authoress of thriller novels. Here is an excerpt from her most recent masterpiece, titled Brazen Virtue: "She did not expect to die that night. Sara Bowman was precise in everything, and dying was not on her agenda. She had no enemies that she knew of. In general, his life was quite ordinary. Yet there she was, lying in a pool of her own blood. The manner of her death violent, even deranged. Who would want to kill the ordinary Sara Bowman? And then it dawned on her. What if she wasn’t ordinary? What if she had a secret life?" It would have to be a very secret secret life indeed if not even “Sarah” herself was aware of it. It turns out that Brazen is based on a novel also called Brazen Virtue by Nora Roberts; I’m not familiar with her work, but I wouldn’t be surprised if her books opened with the phrase “It was a dark and stormy night” or some variation thereof. In addition to a purveyor of purple prose, Grace is a dispenser of clumsy exposition, like when she tells her sister Kathleen (Emilie Ullerup) that “Last I heard you were addicted to pills and you abandoned your son.” Something tells me this is not news to Kathleen, who is an English teacher at an upper-class boys’ high school: “Next week’s essay will be on Hamlet. How would Hamlet feel in our digital age? I’m pretty sure Ethan Hawke already answered this question, and the answer wasn’t very compelling (besides, a better question would be how would Romeo feel in the digital age, considering that a simple SMS would have saved him a lot of trouble). Would you believe that Kathleen herself just happens to have a double life of her own? Well, she does; her alter ego is Desiree, a web cam dominatrix. Wait, what? I guess all her customers must be naughty little boys, because for a fetish based on discipline, this is incredibly lazy. Anyway, Kathleen soon gets sent to web cam heaven, and Grace hijacks her sister’s homicide investigation, which is nominally led by Detective Ed Jennings (Sam Page) — who conveniently lives next-door to Kathleen — and his partner, Detective Ben Parker (Malachi Weier), who may be named after Spiderman’s uncle, but he looks like the lead singer in a Melvins cover band. Grace talks Ed and Ben’s boss, Captain Rivera (Alison Araya) into appointing her a “consultant” on the case (someone’s been watching too much Lucifer). Grace justifies this claiming that “I have an instinct for motive. I mean, that’s why my books are so successful. I can enter the mind of a murderer, especially those who attack women.” Ed, who is present and opposes the idea, fails to point out that Grace would be a pretty lousy writer (well, lousier) if she couldn’t freely enter the mind of a killer that she made up in the first place. Unchecked, Grace adds, “Do you know how long it took the NYPD to find the Times Square Rapist? Eight months. And I went in, studied the case, and they caught the guy three days later.” Again, it doesn’t cross Ed’s mind to call this a coincidence or suggest that the guy was caught thanks to those eight months of police work, and not Grace’s three days. The Captain, who must have found her badge in a cereal box, is sold, however; “Grace, I read your books from cover to cover as soon as I can get my hands on them. You truly are one of the most cunning profilers out there.” Thankfully, the scene ends before the brownosing becomes literal. What I don’t understand is why director Monika Mitchell — and that a woman directed this, as it were, brazen display of pseudo-feminism is most baffling — goes to such lengths to promote Grace as a prodigious detective mind when she never even comes close to determining the killer’s identity or motive (despite having “lots of ideas” about it), or why screenwriters Edithe Swensen and Donald Martin force Milano to say, with all the sincerity she can muster, that Grace’s novels are “about the exploitation of women and misogyny and patriarchy and how we do very little to protect the most vulnerable”, only to have her catch the villain by literally using her body as bait. It may contain no full-frontal nudity, but Brazen is nonetheless one of the most embarrassing movies Milano has ever been in (for what it’s worth, she’s a stone-cold MILF, though).
Claude Massoulier is murdered while hunting at the same place as Julien Vercel, an estate agent who knew him and whose fingerprints are found on Massoulier's car. As the police discover that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is the prime suspect. But his secretary, Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations.
He is Kikuji Murao (Etsushi Toyokawa), a former best-selling novelist who has had a decade-long dry spell that has reduced him to university teaching and magazine hackery. After divorcing his wife (Reiko Takashima) and leaving behind his teenage daughter (Shihori Kanjiya), he meets Fuyuka Irie (Shinobu Terajima), a housewife and mother of three who is a longtime fan.
A woman is stuck in a loveless marriage to a brutish husband, but when a handsome vagabond stranger appears, her precocious 11-year-old hatches a plan to get rid of his father so that his mother can marry him instead. But things end up backfiring, so he comes up with yet another plan, this one even more devious, with more disastrous and unexpected consequences.
Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is "allergic to everything", and sticks with Vada despite her hangups. When Vada's father hires Shelly, and begins to fall for her, things take a turn to the worse...
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.
A Texas cop, whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth to find the boy's sister, who was abducted and forced into prostitution. Meanwhile, a Polish woman who was promised a better life in America also becomes a victim.
In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.
Bizarre back-to-back murders in an otherwise quiet Arizona desert town has rattled local Police Chief Jordan Sanders. The two dead women have no connection to each other – except they’re both named Maggie Moore. While unravelling a web of small-town lies and mysteries, the investigation gets even more complicated when Sanders begins a romantic relationship with one of the murdered women's neighbor, Rita.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.