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Easily the best film the Wachowskis have ever done. I heartily wish that they had stayed low-key, under the radar, and made great scorching films like this one.
**A competent and well-made erotic thriller, but without great originality.** This movie was a pleasant surprise. It came out in 1996, when dramatic films with a strong erotic content were still in vogue. Perhaps it is one of the last to have known some success, in fact. Understandably, the film remained very much alive in the heydays of VHS, I think it made its way to DVD, but gradually fell into oblivion where it currently rests. Is it deserved? Maybe not, but it's understandable to a certain extent: it's not an excellent film, but it will be a good bet for anyone who likes erotic thrillers. The screenplay is based on the lesbian case of two women, who become involved and decide to run away with a large fortune in mafia money, incriminating the mafia boyfriend of one of them. This is a script devoid of any kind of originality and that can only surprise for the lesbian content and the high dose of nudity, because all the violence, the profanity, the strong dialogues, the fast scenes, all of these are elements that we all expected. in a film of this type. The work of the directors is excellent and opened the doors to the “Matrix” franchise, with which they would come to consecrate themselves before falling back into obscurity from which they rarely manage to rise. They managed to insert many nuances of film noir into a strongly erotic plot, including the aesthetics and lighting of several scenes, and the sets, costumes, cinematography and soundtrack are truly good. The two leading actresses are Gina Gershon and Jennifer Tilly. None of them are great actresses, each of them has had their moments of brilliance in films where they have minor roles, and I don't think they will ever go beyond that. So, what they do here is interesting because they both showed commitment and gave a lot to the project. It doesn't mean they are extraordinarily talented or great actresses. The fact is that they got a good partnership on stage, they have a strong and credible chemistry, and the film builds on top of that effectively. As an actor, Joe Pantoliano is better and gives us the best interpretation of the film, and it's worth seeing the actor working with them.
'Bound' is a fun one! I've always wanted to get this watched since growing up with (the great) Jennifer Tilly via the 'Chucky' franchise and having heard this mentioned on/off down the years, so I'm glad that I have belatedly done so. It's entertaining! I knew of the love stuff and it sure does deliver, though I am surprised it only really happens at the beginning... it makes sense, I just assumed it was gonna be recurring throughout. Tilly and Gina Gershon are excellent together, very strong onscreen chemistry! Like with what I previously mentioned, I was also slightly surprised that Gershon disappears for what felt like a decent chunk of the movie; despite being literally next door. Again, works for the story but would've expected her to be there all the way. Joe Pantoliano stars behind them, ahead of a solid supporting cast. One to watch, which is interestingly The Wachowskis' directorial debut.
Gigli is ordered to kidnap the psychologically challenged younger brother of a powerful federal prosecutor. When plans go awry, Gigli's boss sends in Ricki, a gorgeous free-spirited female gangster who has her own set of orders to assist with the kidnapping. But Gigli begins falling for the decidedly unavailable Ricki, which could be a hazard to his occupation.
A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.
A chess grandmaster is in a big tournament, and when his lover is found painted up and the blood drained out of her body he becomes a chief suspect. After he gets a call from the killer urging him to try and figure out the game, he cooperates with police and a psychologist to try and catch the killer, but doubts linger about the grandmaster's innocence as the string of grisly murders continues.
A recently released ex-convict and his loyal wife go on the run after a heist goes wrong.
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
Sweety has to contend with her over-enthusiastic family that wants her to get married but the ultimate truth is that her love might not find acceptance in her family and society.
After June and Charlie break up, Theo finds a scrapbook containing their fondest memories together, and he becomes obsessed with their relationship. He convinces June to try and win Charlie back by recreating moments from the book. Dear June follows the intricacies of a relationship going downhill and explores how straight men view and tokenize sapphic relationships.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.
A journalist goes undercover to ferret out businessman Harrison Hill as her best friend's killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.