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Weekends with Jonathan Capehart - (Sep 1st)
Penn and Teller- Bull - (Aug 31st)
Match of the Day - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
Michael Portillos Long Weekends - (Aug 31st)
The Voice UK - (Aug 31st)
Casualty - (Aug 31st)
The Hit List - (Aug 31st)
Saturday Kitchen Live - (Aug 31st)
The Sherry Vine Variety Show - (Aug 31st)
Symons Dinners Cooking Out - (Aug 31st)
Camp Wannakiki - (Aug 31st)
We Three Queens - (Aug 31st)
Ms. Pat Settles It - (Aug 31st)
CrimeCam 24-7 - (Aug 31st)
Lucky - (Aug 31st)
James Martins Saturday Morning - (Aug 31st)
Made in Korea- The K-Pop Experience - (Aug 31st)
Lets Make a Deal - (Aug 31st)
The Chris McCausland Show - (Aug 31st)
Nobody said anything to me about The Full Monty! When male strip show act The Chippendales come to Sheffield and the local women pay in their droves to see the show, Gaz and the rest of his unemployed pals pick up on an idea to make some cash. They will do a one off show where they themselves will strip on the stage, with the difference being that this lot will go for the "Full Monty" - totally naked dancing! The Full Monty is a very winning comedy, it's preposterous in premise of course, but in amongst the frivolity and outright daftness, lies a very clever and functional tale of personal relationships. In spite of what some American reviewers have said over the years, the picture is awash with very funny gags, it's just perhaps that the untrained none British eye isn't seeing the jokes? For instance, during the famous dole queue dancing sequence, have a look at the guy standing behind Tom Wilkinson, who after witnessing Wilkinson do his Fred Astaire act, merely puffs out his cheeks and carries on waiting his turn! It's little touches like that that say so much about the divide between British and American comedy. As I alluded to earlier, The Full Monty isn't just a comedy about unsightly men doing a strip tease. We have a group of men who each strive for something in their lives, be it the strain of home life or sexual identity, these guys are given sensitive emotional themes from which to regain some dignity. If there is a criticism here, then it would have been nice to give the female characters a bit more flesh on their bones, but ultimately this really is about the boys after all. Backed up by a foot tapping soundtrack and boasting excellent performances from the cast, The Full Monty is a hugely enjoyable picture that rewards on repeat viewings. So just keep your eyes peeled for sight gags you just may have missed the last time you viewed it. 8/10
Robert Carlyle ("Gaz") and Mark Addy ("Dave") are great in this role reversal comedy set amidst Margaret Thatcher's "recalibration" of Britain's manufacturing industries and communities. Sheffield is bearing the brunt of these changes, and unemployment is rife - with little hope of any of the former steel workers escaping their new found poverty. Even the foreman "Gerald" (Tom Wilkinson) is struggling to feed his voracious population of gnomes (and his extravagant wife). Walking past their local working men's club one day, they notice that a famous troupe of male strippers are selling it out, and so they decide that there's no reason why they can't do it too! Helped by his rather sceptical young son "Nathan" (Wim Snape) the dancer recruitment process amusingly starts the ball rolling in this darkly humorous story of aspiration and sheer bloody-mindedness that takes quite a fun swipe at gender roles and stereotypes. Trying to keep their plans under wraps, they clandestinely develop and rehearse their routine with plenty of Hot Chocolate and Donna Summer to get the hips swaying and the toes tapping. It's well paced and pithily written - even if some of the language wouldn't pass any political correctness tests twenty-five years later. The characterisations are largely left to develop the story without too much familial clutter and the diverse nature of the characters offers us an enjoyable and optimistic look at what the human spirit can do when it's challenged. It packs loads into ninety minutes and it's nice to see a British film that doesn't rely on national treasures or stately homes.
**An excellent comedy, with intelligent and creative humor.** This is an interesting comedy that shows that British cinema sometimes surprises with small gems of quality. I don't know exactly how the film was received in its country of origin (it was a time when the British were in shock due to the death of Diana Spencer, ex-wife of the current King Charles III), but, in my country, the film received little attention due to the film “Titanic”, a box office phenomenon. Still, as far as I know, the film was profitable overall, and was well reviewed by critics. At the 1998 Oscars, it was nominated for four awards, but only won Best Soundtrack for a Comedy or Musical, a category that only existed for a few years. The story takes place in Sheffield, a British city famous for its steel industry, but which was greatly affected by the economic recession and the closure of many factories, similar to what happened in Detroit with the automobile industry and in Matosinhos, in my country, with canning factories. To try to earn money, six men join forces to become a group of male strippers. They have to overcome their own prejudices and then public ridicule, when everything becomes known. The film has lots of moments of intelligent, well-constructed humor, and the dialogue is quality. Contrary to what some professional critics said at the time, I thought the use of slang and specifically British words was good, as it added authenticity to the dialogue. There are also some touching moments of understanding and mutual help. The film was very well directed by Peter Cattaneo, and was edited effectively, with a sense of rhythm that allows the film to be engaging and entertaining without wasting time or dispersing into subplots that would lead to nothing. On a technical level, the film has a good set of sets and the filming locations were very well selected, but what deserves the most attention, in my opinion, is the soundtrack, which is virtually a beautiful collection of memorable hits from the 70s. and 80s, including “You Sexy Thing”, “You Can Leave Your Hat On” and other well-known songs. This luxurious soundtrack was one of the aspects that I most enjoyed about the film. Another strong point of the film is the general performance of the cast led by Robert Carlyle, a creative protagonist who gives us an inspired and spirited performance. Alongside him, we also have some great British actors such as Tom Wilkinson (in one of the best comic efforts of his career), Hugo Speer and Mark Addy. Each of them is truly good at what they do and have been given very competent material to work with.
Kylie, a wedding planner, has had a string of boyfriends who have all turned out to be gays, including Benj. Eventually, the two became best friends and business partners. When Diego, Benj's childhood friend, resurfaces and asks them to plan his wedding, Kylie sets out to prove that she's right again-that Diego, is indeed another closet case. Will she succeed?
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
While standing in the doorway of the video shop where he works, Bazil is inadvertently shot in the head. Now homeless and jobless, he is taken in by a troupe of misfits who live in a giant mound of trash. There Bazil begins his quest for revenge against the people who produced the gun that shot him.
After New York City firefighter Terry Lynch is unable to receive any compensation for an injury incurred during the off-duty rescue of a young girl, he grows suicidal. Furious, his brother Jimmy attempts to have Mayor Tyler intervene, but the corrupt politician instead denounces Terry as a drunk. Determined to get justice, Jimmy begins a graffiti campaign of embarrassing slogans mocking the mayor, which soon captivates the city.
Harry Griswald is a NYPD cop who is possessed with the spirit of a great Kabuki master. This has made him 'the chosen one' to do battle with 'the evil one'. He is also out to do good deeds and fight crime in the name of the law. The only problem is that a number of corrupt people in the community and their henchmen want him dead so that they can gain power when 'the evil one' come to take over the world. Sgt. Kabukiman must use his special superpowers to outsmart and out-fight the bad guys.
The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.
Myles and Brody are best friends with two very different ways of finding love. Displeased with their current love lives, they make a pact to be together if neither finds love in ten year’s time. Now two months shy of their deadline, both friends set off to do whatever it takes to avoid ending up as each other’s last resort.
A tough police sergeant's mother comes to visit him, and promptly starts trying to fix up his life, much to his embarrassment. For his birthday she buys him a machine gun out of the back of a van, and begins to further interfere with his job and love life, eventually helping him with a case he's on.
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
After taking his dying father's advice, Hal dates only the embodiments of female physical perfection. But that all changes after Hal has an unexpected run-in with self-help guru Tony Robbins. Intrigued by Hal's shallowness, Robbins hypnotizes him into seeing the beauty that exists even in the least physically appealing women. Hal soon falls for Rosemary, but he doesn't realize that his gorgeous girlfriend is actually a 300-pound-not-so-hottie.
Hopper and Gundel are two River Police who assumed their job would involve more crime fighting and life saving than boat maintenance and ferrying real detectives about.